The term Renaissance Man, gets thrown around a lot, so much so it tends to lose its meaning. Often times when a person is labeled a Renaissance Man, it usually means they are just fluent in more than one area; when in fact the term Renaissance Man means much more. Then, you find an individual like Michael McGlone who defines the term, Renaissance Man. He even seems a little shy when you ask him about being referred to such a title; which is a good sign of quality character. However, I am not shy, therefore, let's run down the proof shall we:
Music: Two albums-HERO and To Be Down, both receiving critical acclaim. Along with regular spins on Sirius Satellite Radio.
Writer: McGlone's novels; "CAL", "Dice", and "Hourigan's Song" and most recently "And All the Roses Dying," a story of Hell's Kitchen, 1952. He also writes short stories and verse.
Actor: The up coming, SpikeTV's new dramatic series, The Kill Point, also starring John Leguizamo, Donnie Wahlberg, and Leo Fitzpatrick. The acclaimed, "The Brothers McMullen", "She's the One", HBO's "Subway Stories: Love on the A train", "The Bone Collector" (with Denzel Washington), and Paramount Pictures' "Hard Ball", "One Tough Cop," "Dinner Rush" (with Danny Aiello). CBS's "That's Life," and a guest star on the dramatic series HACK (that episode was the highest rated in the show's history)...Just to name a few. Along with several voice over works as well.
Man, my hands are starting to cramp up. Do you get where I'm going with this? One of McGlone's best attributes is that he looks the part of an artist. Whether it's a tough cop, romantic lead, or go-to sidekick, McGlone makes the character his own. When you hear his vocals lay over the smooth sounds of his guitar, as in "With You" from his latest CD, you know that McGlone is a true musician. And when you crack open one of his books, you know that what you are reading is more then just literary entertainment; there is a story behind the story. That is what led me to track down Michael McGlone for a feature on PensEyeView.com. I was lucky to find him and even luckier to have him a part of our site. Check out his XXQs to find out why we will be hearing the name Michael McGlone a bit more often.
XXQs: Michael McGlone
PensEyeView.com (PEV): How and when did you first get involved with music?
Michael McGlone (MM): Per my wishes, I received a guitar for my twelfth birthday, though for some time, it did little more than collect dust in my room...until, upon becoming infatuated with a young woman on a family vacation, when I was 15...I realized I needed to expand the poetry I was writing her into song, and so, learned the most basic chords and began to write... I suppose, in some way or another, that's still the primary reason for the music...To express the irrepressible... To give words and melody to sensation and thought.
PEV: What can we expect from your most recent release, To Be Down? And how is it different from your first self-produced, album HERO?
MM: To Be Down is principally distinguished from HERO as being a more produced record. HERO was recorded live, over the course of two days...no separate tracks. To Be Down was recorded over a period of weeks...with only choice exceptions of one fully live performances of any songs. Nobody and Breakdown, and Your Name, I believe are it.
PEV: Describe your creative process. Night owl? Lots of coffee? Sketch out notes?
MM: I have created in all hours...though, most often, with the Literature, it is in the morning, the Music, at night. I do not sketch notes, just get to work. In the writing, generally, with a relatively firm idea (whether it's a story or I'm at work on a book) of where I'll be going in a given day's journey...but with the Music, it most often begins with little more than a feeling, a desire, and then the songs, on the best days, write themselves...
PEV: Do you find writing for one genre (music or literature) to be more challenging?
MM: As to a more challenging genre, I can't say, I don't associate them with challenges but Happiness...
PEV: Besides writing music, you also have penned other writings as well (CAL, Dice, and Hourigan's Song, "And All the Roses Dying", a story of Hell's Kitchen, 1952. How did "And All the Roses Dying" come about?
MM: And All the Roses Dying I originally thought was going to be a collection of short stories, dealing with the Irish in 1952 in Hell's kitchen. But after I wrote the first installment (the current first chapter) I realized I was going to write a book...it just naturally expanded...
PEV: How has living in New York affected/influenced your work?
MM: I believe wherever anyone is influences them greatly, and from NY I have been given so much. It is a perfect place, in all its myriad imperfection. A marvelous exemplar of the human existence....the best and worst ever equally possible. A stunning Beauty...and a heartbreak.
PEV: What is your favorite part about New York?
MM: That you can't get away from it. I wish the truth were as persevering in people's lives. You can't avoid it...it's always demanding, or showing you, something...whether you wish to see or not, It's there. And what it shows you or demands, is always worthwhile. As an artist, I feel there no superior place in the world.
PEV: With all your travels, do you find one city in particular that offers the best environment for music and writing?
MM: If you wish, you can create anywhere. And so, I can't say, though I Love New York as much as I do, that any one locale is essential. I take a a lot from it...but for others that would be Austin, Chicago, Santa Fe, or Pittsburgh.
PEV: What is one thing we would be surprised to hear about Michael McGlone?
MM: There might be a lot of things you'd be surprised to hear about Michael McGlone. I don't always know, in fact, I rarely know what people would find surprising, because you never truly know what people think. But I wear leather slippers at home, more suited generally, to a septuagenarian than a thirty-four year old man. But, perhaps that's not surprising. Gosh knows is isn't hip or exciting.
PEV: Tell us about your role in Spike TV's new drama, The Kill Point (also starring John Leguizamo, Donnie Wahlberg, and Leo Fitzpatrick), which airs in July.
MM: I play Deputy Police chief Nolan Abrami. As ambitious as he is guided by politics and protocol, he is the Voice of Department. The Man as it were.
PEV: Obviously, you are no stranger to the screen ("The Brothers McMullen", "She's the One", HBO's "Subway Stories: Love on the A train", "The Bone Collector" (with Denzel Washington), and Paramount Pictures' "Hard Ball", "One Tough Cop", "Dinner Rush", "Bad City" and "That's Life", to name just a few) but of all your characters, which do you find the most enjoyable to play?
MM: Gosh, that's hard to say. Wherever the writing is best, that's where I want to be. Any character well written is a joy. I will say though, cads are particularly delectable...because you can let go of so much propriety and sensitivity, and be careless. There's a freedom in that. My role in "She's The One" is a good example of those joys. To be that absurd and obnoxious is great fun.
PEV: Which actor, director or producer, you have not worked with that you would like to?
MM: There are so many. As far as actors, to name one I admire greatly and would love perform with, Nick Nolte. Anthony Hopkins is another.
PEV: Between writing and performing, in what seems to be every genre imaginable, what do you like to do in your off time?
MM: My life is such a beautiful gift...my happiness so rich, anytime that is free to me, I would gladly be at work in other areas of my creative life. A day off from the set spent writing or recording the Music. Or reading.
PEV: How do you feel about the term often associated with you; Renaissance Man?
MM: I consider it complimentary, deeply.
PEV: How have all your friends and family reacted to your success?
MM: My family and friends are marvelous... I am a very fortunate in ever respect. I revel in their joys, and they in mine.
PEV: If we were to walk into your house today, what would we find?
MM: A clean, warm home...of dark masculine colors, balanced by dried roses (the Rose is my favorite) throughout. Various classical artwork on the walls (Michelangelo, Bouguereau), though the most prized piece the portrait of a lion my mother painted for me. She is an exceptional artist, and I never tire of looking at that regal and beautiful work.
PEV: Film, literature, music; which do find to be the most fulfilling and why?
MM: They all fulfill me equally in different ways.
PEV: Having done a lot of voice over work, has anyone ever recognized your voice, just from hearing you in public?
MM: Yes. And I enjoy that as much as being recognized for the films...
PEV: So, what is next for Michael McGlone?
MM: The completion of The Kill Point, concluding the redraft of my novel Cal, and a show this summer in New York...
For more information on Michael, check out: MichaelMcGlone.com
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June 2-3, 2007: Joshua Radin
When I first heard Joshua Radin's hit song "Everything'll Be Alright (Will's Lullaby)," I had to stop for a second and make sure I had the right artist. Immediately I was blown away by Radin's voice and poetry but couldn't help thinking that I was listening to recording of a younger Nick Drake, Paul Simon or Bob Dylan...and I don't throw those names around loosely. After further investigation, I was pleased to find out I am not the only one to make those comparisons. Just Google his name and close to 300,000 references pop up; anything from praising his music (like his latest release, We Were Here) to fan-built dedication sites.
I was even more surprised to find out it was only two years ago that Radin was living in New York and trying to make his way as a painter and screenwriter when the opportunity for the open mic night came up. He says it best when talking about that night, "I wanted to write an original song for the show...so I wrote 'Winter'." Oh, that's right, "Winter", you know that song that he just put together; that song that appeared (and became an instant hit) on Scrubs, available as a ring tone, holds a top spot as one of the most downloaded "indie" artists. You know...that song. Radin makes it sound so natural when he talks about "Winter", "Everything'll Be Alright" or any other song on "We Were Here," because Radin is a natural. With that natural ability comes the sign of a true artist in every sense of the word. Radin will tell you he doesn't write just to fill an album; he records what comes out. It may be one song, one day or none at all. It is that mind set and approach that makes him so different from many other artists out there today, who create one or two hits and waste the rest of our time with over-produced fillers, just to make "label-suits" happy. Radin is quite content to go at his own pace and right now, that pace is moving rather rapidly on airways. Joshua Radin is the buried treasure beneath the rubble and wreckage of over indulgent young artists set only on making an album, rather than focusing on making music. As for Radin's future; to steal his words, I know everything is going to be alright. Read his XXQs to find out more.
XXQ: Joshua Radin
PensEyeView.com (PEV): How and when did you first decide to become a musician?
Joshua Radin (JR): I was going through a bad breakup with a woman in New York and I couldn't figure out any other way to express what I was going through, so I picked up the acoustic guitar, learned a few chords and started writing songs, like a diary I guess.
PEV: Do you find your early work as a screenwriter helps with your writing style?
JR: Definitely. It got me used to telling a story visually.
PEV: What kind of environment do you surround yourself in when you write?
JR: I have to be alone. That's the only requirement.
PEV: What was it like the first time you stepped into a studio to record your own music?
JR: Quite surreal. Having people there to work on my songs was bananas. Ha.
PEV: You have traveled all over but which city do you think offers the best environment for music?
JR: New York. No question.
PEV: What do all your friends and family think about your success?
JR: They love it. They get so excited by the smallest thing, but I really dig that about them.
PEV: You played "Winter" for the first time at an open mic night. What was the reaction from the crowd and how did it feel to finally play your music to a live audience?
JR: Well, the only people there were other musicians, but they seemed to like it. They clapped afterwards. Ha.
PEV: What can someone expect from a live Joshua Radin show? What is the best part about playing live?
JR: People can expect that I will sound like I do on the record, which I think is rare these days. The best part about playing live is looking into people's eyes while pouring out your soul to them and watching how they react.
PEV: How does it feel when people call you a "modern day Nick Drake and Simon & Garfunkel"?
JR: Feels good...real good. Hopefully one day someone will tell a young artist that they're a modern day Joshua Radin. That'd be cool.
PEV: What can people expect from the re-release of "We Were Here"?
JR: An intimate journey.
PEV: How was the writing process different in "First Between 3rd And 4th" and "We Were Here"?
JR: Not really different at all, just me being honest about my experiences and feelings.
PEV: If you could collaborate with one artist, alive or passed, who would it be and why?
JR: Bob Dylan. Or maybe Paul Simon because they are the two best songwriters to ever live, in my humble opinion.
PEV: How has life on the road been for you?
JR: Amazing. It's what I was meant to do...be a troubadour.
PEV: Having lived in both New York and LA, what is your take on the east coast/west coast music scene?
JR: New York's scene isn't as strong in my opinion. L.A. has more of a community of songwriters, at least that's what I've found. Once all of us realized we could pay our rent by selling our songs to TV shows and films, we all moved out to L.A. where those type of projects are made.
PEV: Do you find one topic in your music you keep going back to?
JR: Eyes. I dunno why though.
PEV: Is there one artist now that you think people should be looking out for?
JR: A few: Schuyler Fisk, Brett Dennen, Ingrid Michaelson and William Fitzsimmons.
PEV: What is currently in your CD player or on your iPod?
JR: A lot of Elliott Smith. Love it. Every single song.
PEV: If I were to walk into your house right now, what is one thing I would be surprised to find?
JR: You'd be surprised that I don't have a house. I have a storage unit in L.A. and crash with people when I'm in L.A. for an extended period of time. I live on the road for right now.
PEV: When you are not working, what do you like to do?
JR: Sleep, eat, have sex.
PEV: So, what is next for Joshua Radin?
JR: I'm working on the next record. Who knows when it'll be done, but I'm working on it...
For more information on Joshua Radin, check out: www.JoshuaRadin.com
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June 4-5, 2007: Antsy McClain
Thankfully I get to write rather than speak at the moment, because my mouth is killing me from smiling so much. The source for all this excitement is Mr. Antsy McClain. Antsy, is not his real name but has to be one of the greatest nicknames I've ever heard. His high school football coach gave it to him because McClain could never sit still...which works for me, since I can't stop telling everyone about him. Everything about McClain makes you want to smile. Maybe it's his 50's inspired hair do or retro shirts or the thick-rimmed glasses, straight off Buddy Holly's face. McClain's Kitchen Table Tour reconstructs Antsy's own kitchen on stage, complete with fridge, table and chairs, even a lava lamp, to create a unique, intimate concert experience. McClain developed this concept after realizing that many of his songs were created at the kitchen table, and his favorite musical experiences have taken place around the kitchen table, casually jamming with friends after dinner. It this attitude that makes Antsy so enjoyable, he still is that guy playing with his friends, with only fun on the mind. He brings this trait with him wherever he performs. I find this part of McClain ironic, since he still has a hard time referring to himself as an entertainer. Sorry, Antsy, you can't deny it; you are the meaning of an entertainer. He has made a living off being himself; a true sign of an artist. People often refer to McClain as one of our generation's best songwriters, you may not know about...yet. Well Antsy, I hope this helps. Give yourself a chance to grab some tissues before you read his XXQs...he'll have you in tears!
XXQs: Antsy McClain
PensEyeView.com (PEV): How and when did you first get interested in music?
Antsy McClain (AM): Aretha Franklin's greatest hits was in my mom's record collection, and I couldn't get enough of it. I was 10 years old, and I would put these big head phones on and listen. About the same time I discovered The Beatles White Album and oddly enough Martin Mull, who most folks know as an actor, and don't realize he is a very good songwriter and guitar player. He made some very funny albums in the 70s. Martin and George Carlin got me into humor, and this cross pollination kind of happened, and I started listening to Dr. Demento and the King Biscuit Flower Hour. It all merged in my head.
PEV: What was it like the first time you stepped into a studio to record your own music?
AM: Well, it was pretty surreal. I have video somewhere of me in the studio - my wife was filming me - and we're recording our first album, Doublewide and Dangerous. It was late, and I was the only one left, but we had background singers scheduled to come in, and I stayed to help direct them, and they were all laughing at the material and singing their hearts out, and at one point I try to motion the camera away because I was getting choked up. This is a dream for all of us, and it hits you pretty heavy when you see it taking shape. And then the next day, Waylon Jennings just drops in. (Richie Albright was his drummer and producer, and Richie invited him in.) That was pretty surreal.
PEV: How did you get the nickname Antsy?
AM: I've always been pretty energetic, but the name stuck after a junior high school football coach called me that during rehearsals. I only played football one year, but the name stuck.
PEV: What can people expect from your solo debut album, Time-Sweetened Lies?
AM: It helps out if they don't expect too much. Ha. Well, my solo projects will have some humorous material on them, but it's more singer/songwriter stuff -- more serious than The Troubadours tends to be. I had to get those songs out there, and The Troubs stuff can handle a few serious songs, but fans would start shaking their heads if I got too serious on them. So, my solo releases satisfy the folksy in me.
PEV: What was it like to have Lindsey Buckingham on your debut album?
AM: That was a thrill. He's a very nice guy, and was so accommodating. Jimmy Jackson who plays guitar on the album also, said we should make him an honorary Troubadour. Lindsey and Stevie Nicks played with Bob Aguirre, who played drums with us at the time. They were in a Bay area band called Fritz. Bob's a wonderful guy, and he hooked us up with Lindsey.
PEV: Can fans still expect to hear the original sounds of your musical comedy band The Trailer Park Troubadours (or "The Troubs" as they are called by fans)?
AM: Well, Trailercana - our newest release -- is our best album to date. It has some of our best music on it, but I think it also has some of our funniest songs as well. But I think folks will hear a difference in this new album. I think it's clear that I'm growing up a bit. (Finally! Ha!) I don't ever want to become one of those too-serious-for-my-own-good kinds of acts -- those guys make me laugh, and it's the last thing they want -- but I am taking on more heart-felt topics with my music, and I've been mixing them into the live shows with great feedback. Everyone seems to like the mix now. It's been very rewarding to see that. One guy in the audience at a show last week said, "My cheeks hurt from laughing, and now there are tears in my eyes." That's pay dirt when you're a songwriter like me, a weird hybrid of Shel Silverstein and Jim Croce.
PEV: Tell us about the The Kitchen Table Tour.
AM: Well, I traveled around with my own kitchen table and two chairs and an old fridge that we gutted to make lighter for carrying. I figured most of these new songs were written in my house around the kitchen table in the middle of the night, so it felt natural for me to take some appliances on the road with me. The shows were fun. Just me and Jimmy Jackson, my guitar player in California.
PEV: You are often labeled with the term, Renaissance Man; artist, writer, musician, performer. Which do you find the most rewarding?
AM: Yeah, I keep hearing that term, and I guess I'm not sure what a Renaissance Man is. I can do a few things really well, but that's the same with most everybody. With me it's making up songs and drawing pictures. Pretty pitiful really. I need help balancing a checkbook. I went to my first Renaissance Festival last week, and I thought about all that. I didn't fit in too well. I was wearing a Hawaiian shirt, and I was really freaked out by this 35-year-old woman dressed as a faerie (the correct spelling, I found out). She kept tossing Hobby Lobby glitter at me and talking in this shrill voice. And it was in Tennessee, so everyone sounded like John Cleese and Larry the Cable Guy mixed up. So I don't think Renaissance Man is the right title for me.
PEV: What drives you to create music and be an artist?
AM: I drive a Hyundai now. Nice, dependable little four door.
PEV: Describe your creative process.
AM: I believe songwriting has to be done in the act of living. These guys who sit down at 9AM with a co-writer and a pot of coffee baffle me. If you're not writing from life, after awhile things are bound to get stale. So I write when it hits me. I record things into my cell phone's memo function if I'm on the go, or jot it down in one of my sketchbooks I carry around with me. It's usually late at night before I can grab some time to play the guitar and put things together.
PEV: What can people expect from a live Antsy McClain performance?
AM: Fun. Set to music. I want to draw upon my own life experiences and strike a chord with everyone there on some level. I want you laughing, sure, but there's a deeper message to what we do -- that material stuff ain't what's important, it's about the people in our short, short lives who need to know we love them, and we have to enjoy each other, and enjoy the ride. That's the aluminum rule, I call it, to Enjoy The Ride.
PEV: How have your family and friends reacted to all your success and popularity?
AM: I have some nieces and nephews who think I'm some kind of a rock star, and I don't plan on telling them otherwise. They'll figure it out themselves when they get older, so I'm enjoying my celebrity status with them while they're young and don't know better.
PEV: How is life on the road?
AM: Well, there are times when I really have to put my philosophy of "Enjoy The Ride" to the test, because it can get to you. I've outlasted some good band members and road managers, because it can really wear on you. But living in the moment helps, and realizing when your flight is delayed or cancelled, that the only thing you really have control over is your reaction to what's going on. Sometimes that helps. Other times, you blow a gasket, and get it out of your system. It's all part of the thing. My good friend and drummer/producer Richie Albright told me once when we were on a bus heading to Michigan, "I play for free. You're paying me for all this travelling." He's right. We would play for free. We love it so much.
PEV: What is something people would be surprised to hear about you?
AM: I can play for thousands of people and never get nervous. But get me singing in Church, in front of 150 friends, and I shake like a leaf.
PEV: When you get some down time, what can we find you doing?
AM: You probably wouldn't be able to find me, because I'd be in the woods, by a lake, hiking with my wife and kids, in the mountains. Somewhere as far away from an airport, freeway, mall, and rental car place as possible.
PEV: What is the best part about playing live?
AM: The immediate feedback of a live audience is an adrenaline rush. That alone is what can keep someone performing long after they've lost any other desire for doing this. Everybody wants to feel important to people. And presenting songs I've spent hours on, writing, memorizing, rehearsing, to a large group of people, and getting positive feedback makes you feel like when you leave tomorrow to go to the next show, or when you leave this world, that something you did will be remembered. That's important to everyone. It's universal.
PEV: When you're live, anything can happen. Any crazy or embarrassing "live" stories?
AM: I am thankfully a fairly graceful person, but I fell off a stage in Modesto, California once in mid verse. The stage's edge wasn't marked well, and I went down. Luckily, I popped back up, sporting a sizeable bruise on my left knee. The audience gasped and went deadly silent for a moment. That's what I remember the most about it. And then the applause when I got back up. Having an office in the Humor Department of the entertainment business allows me license others may not be able to draw upon, so I get to laugh stuff off more.
PEV: Not many artists and musicians can say they've been a teacher, a tour guide, and a Japanese interpreter and then become a successful musician. Can you tell us about your early life and careers?
AM: My wife and I have 5 children, and my wife has largely been a stay at home mom while the kids were younger, so I stay pretty busy earning our daily bread. I have been fortunate to fall back on some skills I acquired along the way, such as knowing a second language. I lived in Japan as a missionary back in the 80's, and later worked as an interpreter for 8 years, with the Japanese auto industry. I learned a lot from those guys, but for a creative person to tell one guy what the other guy just said all day long -- it really started to get to me, and I had to leave. That's when we moved to Nashville from Kentucky. A now-or-never kind of move.
PEV: Is there one aspect of your art and music you find yourself constantly going towards?
AM: Of all the jobs I've ever had, my favorite is teacher. I believe that's one of those "calling" kind of jobs. You either enjoy it or you don't. So, whether I'm painting or writing a song, I hope that it teaches something -- leaves something behind for folks to ponder long after I'm gone. That, and bathroom humor. That comes really easy for me.
PEV: So, what is next for Antsy McClain?
AM: I'm going to hit the send button on this e-mail. Anything after that is just gravy, and I'll be excited to see what it is.
To find out more on Antsy McClain, check out: www.antsy.net
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June 6-7, 2007: Blacktop Mourning
You might think the success of Blacktop Mourning is mind-boggling. Rightfully so; after only two weeks of their music hitting MySpace in late 2005, Blacktop Mourning was signing a deal with MTV. By the six month mark, their songs had been played on 12 MTV shows and the band had been selected as an "MTV Featured Artist." All of which artists ten, twenty, even thirty years their senior can't attest to. The mere mention of an artist being summoned by MTV, is cause for bragging. An even bigger thrill might have been when Counting Crows front man (and one of the greatest singer/songwriters of this generation) Adam Duritz asked them to be on his label, Tyrannosaurus Records. Duritz even offers back up vocals on a few songs off their highly acclaimed album, "No Regret" (now available). Blacktop Mourning's humble and positive outlook on their music has everyone talking about them as the band to watch in 2007...but I'd like to add 2008, 2009, 2010 and well, let's just say they'll be the band to watch for a very long time. Humble even when Ahmet Ertegun, co-founder of Atlantic Records, called Max Steger (18) "one of the best guitar players I've ever seen." You can't help but feel you got a good thing going when that happens.
These guys from Chicago (Max Steger, Joe Levand, Shawn Nystrand, Greg Gerard and Nate Wethy) are barreling through the tunnels of rock like a stolen freight train; with an outcry of punk and pop anthems as they trample city after city with an ingenious sound not found in any band today. Why is this? Blacktop Mourning combines fierce drum-beats with clever, almost surreal vocals and songwriting...just to start. Another reason Blacktop Mourning continues to remain strong, is their youth; which some people may view as a negative. In fact the knowledge of trends, the internet and value of word of mouth, known only by the "MySpace generation", makes us realize we are dealing with some truly intelligent artists. Many people want to discard the power of the web, but the tens of thousands of kids forwarding along their songs "Halfway to Midnight," "My Only Heart," or "Another Day", with the subject line reading, "Check this out!" (which someone sent me), is the kind of influence that makes you have listen to Blacktop Mourning. Rarely do we see a band with this much charisma, originality and artistic vision, so early on. If you haven't been listening, now might be a good time to start. Read their XXQs to find out why...
XXQs: Blacktop Mourning (Interview with Max Steger)
PensEyeView.com (PEV): How and when did Blacktop Mourning begin?
Max Steger (MS): I wrote most of this album almost 3 years ago at age 15. Then I went looking for some great musicians to start the band. It was my third band (my first was at age 11) and certainly the best. Today, we've got a great line-up that we're very happy with - and fans seem to agree.
PEV: Where did the name Blacktop Mourning come from?
MS: We loved the word "Blacktop" because it just gave us all a great happy feeling. We thought that childhood and innocence are reflected on the playground. But soon life gets a bit darker, less secure, and playground can reflect more dangerous opportunities (gangs, loss of innocence, etc) - and that's where the "mourning" came in. Our music is poppy/pop punk melodies over darker lyrics and heavier guitars and the name reflected that perfectly.
PEV: What was it like the first time you stepped into a studio to record your own music?
MS: Let's see. I was 10 the first time I recorded in a true studio. It was an amazing experience and one that I loved. I felt at home there and the engineer was experienced and great to work with. I've recorded in a lot of studios and the first time I recorded my music, it was difficult, because time and money were constraints. I wanted 'more' and there wasn't enough of either to make it happen. All in all, it was pretty good, but in retrospect, I was unsatisfied with the advice I was given in that studio as well as the outcome. I did learn a lot and continue to learn so much every time I work in the studio with great people. Fortunately, I got the chance to re-do so much of it with this CD.
PEV: You hit MySpace in December 2005 (surpassing 500,000 plays on > MySpace.com) and within two weeks, you were inking a deal with MTV. By the six month mark, your songs had been played on 12 MTV shows and Blacktop Mourning had been picked as an "MTV Featured Artist." How does it feel to become so successful at such a young age?
MS: I don't really feel we've been successful yet. We've definitely achieved some big goals we had set for ourselves, yet I think "being successful" is having a long career and being able to support yourself with music.
PEV: What do all your friends and family think about your success?
MS: I know that for family and friends, it's been an opportunity that they can share with us. Everyone in the band has really supportive families and you can't do this (since 3 of us are just graduating high school) without the support (financial and otherwise) from your families. Our families and friends come to most of the shows - even those across the country. They're proud of all of us and our friends are just happy to be around and play shows with us as well. It's fun to put friend's bands on our shows.
PEV: What was it like when you received the call from Adam Duritz and Tyrannosaurus Records to work on your debut CD, "No Regrets"?
MS: Really surreal - although we totally hit it off and talked for an hour and a half. He's funny, smart and very easy to talk to - and he liked what we were doing, so it was easy.
PEV: How did having Adam Duritz lend vocals on "No Regrets" help your music? And what was it like when you realized he was going to be a part of the album (NOW available)?
MS: We were pretty shocked that he wanted to sing on our album and sing my songs! That was one of my favorite things while recording "No Regret". I thought it added a different dimension to our sound when Adam was singing. It was awesome to hear that super-familiar voice on my own songs.
PEV: What can people expect from "No Regrets"?
MS: We try to have something for everybody on the CD. We go from straight up pop rock songs to a more metal-influenced jam to a power ballad and more...Yet, at the core I think every song is driven by strong melodies.
PEV: Is there a certain atmosphere you surround yourself in when you write music?
MS: I'll write anywhere, any time. It doesn't matter.
PEV: How has life on the road been for you? As well, with your new release, what do think it will be like now?
MS: Life on the road is always fun. It can get a little tough on the extremely long car rides (rides over 12 hours). But when the shows are good, it's hard to complain. With the record out, it seems like more and more people know the words to all our songs and we seem to be playing in front of bigger crowds.
PEV: If I were to walk into your studio right now, what is one thing I would be surprised to find?
MS: You'd be surprised to see the environment. We did most of the CD with a real DIY vibe. We recorded everything but the drums in people's houses. Counting Crows always built their own studio to record every one of their own records, so they have a lot of gear. We recorded guitars and some vocals at the Crows' home studio and we recorded all the backup vocals at our practice space in Chicago with an Mbox and a $120 microphone. The acoustic songs were all done there as well.
PEV: When you are not performing, what do you like to do?
MS: I like to record music, whether my own music or my friend's bands. And I like to watch DVDs to chill out. Two of the guys are from Michigan and are living in Chicago now, so they try to catch some time at home. Joe, Shawn and I love listening to music and going to local shows in Chicago ... of which there are a lot of really great shows on any given night.
PEV: People can download/listen to your music from your website. What is your opinion on the heated debate over downloading music off line?
MS: Well, I think it's very much a double-edged sword. On the positive side, with the internet and the ability for people to download, it's certainly a lot easier for small bands with no money to get their name and music out there. But at the same time, it's made CDs almost a dead medium. Most labels consider CDs nothing more then promotion or your "calling card" for tours and not a means of making money. I think it's Å0ä5ok' to download one or two songs to see if it's something you're into. Then, if you like those, you should absolutely buy the CD and support the artist.
PEV: What can someone expect from a live Blacktop Mourning show?
MS: It rocks a lot harder than the CD and it's much more guitar- and drum- driven. We change up our songs and slip in new sections. We also have metal and almost hip-hop influenced jams at a few points. People seem to like it. It does show a different dimension to each one of the musicians.
PEV: What is the best part about playing live?
MS: Our goal has always been to play a great live show. We practice virtually every day and love the whole feeling about playing live. Of course, the fan response is most gratifying. Our last few shows were wild and we had the best time. We invited the crowd onstage with us for the last song --BIG MISTAKE! And really wild!
PEV: Who do you think is an artist to watch for on the scene right now?
MS: Silverchair is Joe's and my favorite band. We just saw their recent shows in NYC after they spent years pursuing other projects. They always bring something different, exciting and rewarding musically.
PEV: Saturday Night Live asks you to be the musical guest, who would be your dream host?
MS: I am honestly completely indifferent on this question. Haha
PEV: Finish this sentence, "The most embarrassing time for Blacktop Mourning was when..."
MS: Hmmm. Well, I guess it always sucks when our equipment malfunctions on stage. At a really great show in Oklahoma, the power blew, including lights, and Joe just continued singing ... acapella- for almost a minute. No on actually seemed to notice, they were rocking so hard. Other then that I think I was most embarrassed listening back to our first demos.
PEV: Of all the artists you've worked with, who was your favorite and who do you hope to work with in the future?
MS: Hands down, Adam Duritz...Absolutely incredible to do our first major release with him. In the future; Dave Grohl of Foo Fighters, and Daniel Johns of Silverchair. Daniel Johns has been a complete inspiration to Joe and me. We admire his music and his singing. He never ceases to amaze us.
PEV: So, what is next for Blacktop Mourning?
MS: Hopefully just touring and getting to a point where we can do this all over again...and again....and...
For more information on Blacktop Mourning, check out: BlacktopMourning.com, www.myspace.com/blacktopmourning and Tyrannosaurus Records
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June 8-9, 2007:Pam Tillis
There is something to be said about female country singers. Maybe it's their confident stage presence, their smooth vocals or maybe it's the way they own the stage with lyrics that tell stories of American values and pride. Regardless, I am continually fascinated with the style of country music's unique story telling and even more impressed when someone comes along and completely changes the game. Pam Tillis was born a country singer. Being the daughter of the great Mel Tillis, she is music city royalty. However, Pam Tillis repeatedly rebels against the norms of country music, making her the definition of what it means to be a performer. Proof?...CMA Female Vocalist of the Year, she has written songs for some of the biggest players in country music and continues to fill her own catalog with unique and catchy music. Her latest release Rhinestoned, seems to have been her calling, hidden behind years of growth, maturity, seasoned writing and performing that only a true professional can possess. From the more laid back and fun, "Crazy By Myself," to the deep undertone of "Someone Somewhere Tonight," Tillis explores emotion, life, drive and triumph, all in one. It might be too early to call it a classic, so for now I'll call it a favorite. Read her XXQs to find out more.
XXQs: Pam Tillis
PensEyeView.com (PEV): How and when did you first get interested in music?
Pam Tillis (PT): I grew up in a musical atmosphere, and just loved it from the time I was born.
PEV: Was there a certain time or event that you realized you can actually make a living playing music?
PT: There was a guy that owned the pizza parlor I was at, and he gave me my first contact.
PEV: What was it like growing up under one of the most famous performers; your dad the great Mel Tillis?
PT: Inspiring, yet intimidating!
PEV: When and what was it like the first time you stepped into a studio?
PT: It felt natural, just like home.
PEV: What can people expect from your latest release, Rhinestoned?
PT: It's very rootsy and organic.
PEV: How is Rhinestoned different from your 2002 release, the critically acclaimed It's All Relative (Pam's tribute to her father, Mel Tillis)?
It's really a continuation of the last album.
PEV: What fuels your drive to continuously create great music?
PT: It's the contribution to music, and the creativity of it.
PEV: Describe the feeling of being announced as the CMA Female Vocalist of the Year?
PT: Very overwhelming! I felt so very grateful!
PEV: You have traveled and performed all over the world. Which city do you think offers the best environment for music?
PT: Nashville!
PEV: How has life on the road been for you?
PT: It's been a mixed blessing. It's means lots of experience, and its physically challenging.
PEV: Is there a certain atmosphere you surround yourself in when you write music?
PT: I need to disconnect from the world, and let my own feelings come into play.
PEV: What do all your friends and family think about your success?
PT: They want me to lighten up and they wonder when I'll take the time and get to enjoy it.
PEV: As a successful artist, what advice can you give to people who are just now starting a band or picking up a guitar?
PT: Are you sure you want to do this?
PEV: If I were to walk into your house right now, what is one thing I would be surprised to find?
PT: Matching socks.
PEV: When you are not performing, writing or traveling, what can we find you doing?
PT: Domestic things. Gardening, Cooking, etc.
PEV: What can someone expect from a live Pam Tillis show?
PT: Every show is custom made for that day. No show is the same.
PEV: That is the best part about playing live?
PT: The applause.
PEV: What is currently in your CD player now?
PT: New songs that I'm learning.
PEV: What up and coming artist(s) do you think we should be on the look out for right now?
PT: Miranda Lambert
PEV: So, what is next for Pam Tillis?
PT: Not sure yet. In the back of my mind, I have the next record to think about.
For more information on Pam Tillis, check out: PamTillis.com
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June 10-11, 2007: Stoll Vaughan
You know the saying, "what's in a name?" Well, I am pretty sure that saying was meant for someone like Stoll Vaughan. With a name like Stoll Vaughan (which has to be one of the single greatest [real] names in rock history), you are destined to either be a musician or an action hero. Thankfully for us, Vaughan chose the former. Plus, you have to love a guy who refers to his first interest in music as, "kind of weird...like a UFO". However Vaughan found music, we are glad he did. Vaughan's latest release, "Love Like A Mule" is a compilation of his deep southern blues, mixed with classic rock beats, capped by twist and turn lyrics depicting one man's tale of the turbulent road to finding himself. Which despite whether or not Vaughan has done so, everyone in America seems to be finding him...if they can get to the show before it sells out that is. Although relatively young, Vaughan continues to be faced with the curve balls "Love Like A Mule" depicts. I mean, the guy's tour bus caught on fire! True story; leaving him with only the clothes on his back and his guitar by his side (so very rock n' roll). Even after a life-changing event like that, Vaughan seems to have benefited. He'll tell you life doesn't stop because you get some bad news, which shows the sign of a truly mature musician who can realize that you have to get up every time you are knocked down. His expressively rustic style, and stage-swagger is making Vaughan one of the most respected singer/songwriters in music today. Find out why, by reading his XXQs.
XXQs: Stoll Vaughan
PensEyeView.com (PEV): How and when did you first get interested in music?
Stoll Vaughan (SV): It just happened. It was kind of weird ... like a UFO ... unexplainable. You don't really understand it, but it just clicks ... kind of like when you fall in love ... can't really pinpoint when it happened. All you know is that you look up after a while and things are just deeper.
PEV: Was there a certain event or time in your life that you realized music was going to be your career?
SV: Studying music at a high school devoted to the arts. I was trying to learn classical music and there was a moment when I was playing a certain chord and the note opened up in my mind and I saw this path. It wasn't what I was studying that was the path ... it was just something different I knew I had to follow.
PEV: Describe the feeling of the first time you stepped into a studio to record your own music.
SV: It's transient and mystic in that when you step in, you don't know what's going to happen. There's no way to say whether or not a song is going to want to be recorded. So I don't really think about what it's going to be like to record, but rather I reflect on the experience afterward.
PEV: What can people expect from your latest release, "Love Like A Mule"?
SV: People have expectations or ideas already ingrained in their head ... they are either going to like my record or judge it by their own conditioning. I have heard great reviews and there have also been one's that aren't as flattering, but for me, I am proud of the record I made and the songs that were recorded.
PEV: How is "Love Like A Mule", different from your earlier release, "Hold on Through Sleep and Dreams"?
SV: Hold On had more innocence to it ... not lyrically or musically, but only because it was my first record and I didn't know what would transpire. Love Like a Mule just basically has the difference of a year and half more in my life.
PEV: Tell us about your (now famous) RV fire that took everything from your personal computer, songbooks with lyrics, instruments, cameras, photos and videos from the tour were lost, leaving you with just the clothes on your back.
SV: It sucked! I lost everything I had. Anything you can possibly think of that you have in your apartment was gone. When you lose your stuff that seems to be a part of a foundation, you have to rebuild. Life doesn't stop just because you lose everything. It's important to note that through an experience like this I see what kind of compassion people have for others and good does come out of bad events.
PEV: How has touring with Journey and Def Leopard been so far?
SV: It was great! I don't know if it helped my career but it was fun. As an independent artist it's important to have the chance to work and also be mindful of the great contacts and relationships that can be built. For instance, I've just finished producing an album with Rick Allen (Def Leopard) and co-writing with Johnathan Cain (Journey).
PEV: How have your friends and family reacted to all your success?
SV: Smoke and mirrors. Parlor tricks.
PEV: How is life on the road for you (despite the occasional RV fire)?
SV: I really enjoy playing out a whole lot. It's one of the reasons ... to get out there and see different places and meet people. Obviously there's a big difference between being on the road with larger acts versus solo touring. It basically boils down to Ritz-Carlton and catering vs. Super 8 and Waffle House.
PEV: What is something people would be surprised to hear about Stoll Vaughan?
SV: That I am a trained circus performer! I was a top tightrope walker and an avid juggler on the side. This was in my youth when I lived in Oklahoma.
PEV: When you get some down time, what can we find you doing?
SV: Writing songs. I've also recently gotten involved with the Safe Place program. It's a great national program where kids who are at risk or in danger can get immediate help. My first plan is to do music groups with the kids who are in the local runaway shelter that sponsors Safe Place and I hope to increase my participation in other cities when I am out on the road.
PEV: When and what was your first live appearance like?
SV: My first live appearance was at a place called Bottles Tavern in Richmond, KY. If you've ever seen a bug fly into a windshield, you'll know what the performance was like!
PEV: What is the best part about playing live?
SV: When it goes right ... much like a recording, it's more of a mystical experience when I'm performing. Also, a great thing about performing live is when things go terribly, and you survive it!
PEV: What can people expect from a live Stoll Vaughan performance?
SV: Well with my last two answers we can't really make that call can we? Mysticism and squashed bugs. No seriously ... a lot of energy and I really like to draw the audience in.
PEV: You have been compared to artists like Bob Dylan, Cash and Tom Waits (to name a few) but what artist (the above mentioned or other) do you feel has influenced you the most?
SV: I think a great influence on me would be music that has been recorded without the idea of success or gimmicks because in this day and age, there seems to be more schtick than substance, and when I come across something that isn't that way, past or present, it influences me.
PEV: If you could collaborate with one artist, alive of passed, who would it be and why?
SV: I guess I could couple this with the last question and just say that I would love to collaborate with anyone who influences or inspires me.
PEV: In your opinion, which artist today, should people be looking out for?
SV: Me, of course!
PEV: What is currently in your CD player or on your iPod?
SV: Me, of course! No just kidding! Since my RV burned, my collection is pretty limited, but right now I've got 1930's gospel music.
PEV: What drives you to create music?
SV: It's like that UFO ... you just can't explain it.
PEV: So, what is next for Stoll Vaughan?
SV: If you've made it to question #20, please check out www.stollvaughan.com and find out! Thanks!
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June 12-13, 2007: Dead Rock West
Dead Rock West has the kind of vibe that musicians search years to find. You can describe their sound in several ways; country, folk, garage, power pop, rock n roll and blues. However, descriptions like that might pigeon hold them into certain categories, which Dead Rock West should not be. The passion and artistic collaboration of these Southern California natives, rings true in their debut album "Honey And Salt", which has been called "...a history of rock, from Elvis to post-grunge." Not a bad start for a group that formed through shear happenstance. Each member individually working on projects and developments of their own, but came across one another and realized there was a deeper connection than simply people enjoying the same kind of music. It is this connection that the seasoned sounds of "Honey and Salt" showcase. "Honey and Salt" is the kind of album that reminds you how beautiful American folk-rock is and more importantly makes you realize that the age of storytelling is alive and well. Read their XXQs to find out more...
XXQs: Dead Rock West
PensEyeView.com (PEV): How and when did Dead Rock West form?
Dead Rock West (DRW): That's a loaded question. Cindy and I met at a club in L.A. that I was playing in sometime in the late 1900's. We each had our own band but would get together to sing old folk songs and country songs for fun. Eventually, our respective bands ran their course and we found ourselves playing some coffeehouse gigs for fun. We soon brought in David J. Carpenter to play stand up bass (He'd been in my last band with me). Dave had a friend Bryan Head, so Bryan came in to play drums, and he was an instant fit. Dave had also played in Toni Child's band with Phil Parlapiano and suggested Phil as he plays everything from organ, piano to mandolin and octave mandolin, not to mention accordion and trumpet. I was a long time fan of Phil's as he played in one of my favorite bands on Geffen Records, the Brothers Figaro. Phil ruled, and so we were born. We did demos at Phil's house and played around town for a spell before tackling a full length recording. By the time we were ready to record we sounded like a band because of gigging and listening to each other, not rehearsing.
PEV: There's an old expression, "What's in a name?" and I have to ask, what does the name Dead Rock West mean/refer to?
DRW: There is a meaning, but I would never admit to it, but basically, it's three one syllable words I like the sound of and that have different meaning in different combinations. What does R.E.M mean, really?
PEV: Explain how your debut album "Honey And Salt" has been called a history of rock, from Elvis to post- grunge.
DRW: I like that. We just pull from different musical traditions and made it our own.
PEV: With the mixture of rock, folk, country, punk, and pop, what is the collaboration process on an album that touches so many different genres of music on one album?
DRW: How do you explain process? I guess just following instinct and listening to each other, reacting off one another.
PEV: With that mixture, is there one genre you tend to gravitate to more often?
DRW: Me personally, no. It's just Rock n Roll to me, but we seem to like lots of folks in the Americana genre like Neko Case, Old 97's, Wilco, but I am also a huge fan of Razorlight.
PEV: What can people expect from "Honey And Salt" that may not be available on other albums out today?
DRW: We recorded the recorded to 2" analog tape and mixed it to 1/2" analog tape, using mechanical effects. We didn't use any pitch correction machines; we avoided click tracks while recording. The record has sonic dynamics unlike most records today that are made aggressively to keep your attention. This record is made to be listened to for a long time not just used up and thrown away.
PEV: What is your take on the LA music scene?
DRW: L.A. is a big city, so it has more bands; there's more junk to sift through, but there is also a lot of brilliant music here like the Neighborhood Bullys, Silversun Pickups, Stewboss, and the Small Hours. Shilah Morrow and Sin City Social Club is everything to me in this town.
PEV: What was it like the first time you stepped into a recording studio?
DRW: It was like walking into a spaceship or a fighter jet. I thought "this place can take me places I've never been-fast!". It was instant love.
PEV: Is there a certain atmosphere the band surrounds itself in when writing music?
DRW: I like to write in the truck, driving to Joshua Tree with a pack of smokes and a portable recorder. If I'm at home it's my trusty Smith-Corona electric typewriter that gets me through the night.
PEV: Was there a certain time or event that you realized "I am going to be a musician"?
DRW: I was on the road with Dave Sharp from the Alarm, playing mandolin, harmonica, guitar and singing harmonies. We were stuck on the freeway 2 hours outside of Nashville in a terrible golfball sized raindrops thunder storm when Dave turned to me and said "Until you decide to give everything to music you're gonna fail". I became a musician that night.
PEV: You have traveled all over. Which city do you think offers the best environment for music?
DRW: I don't know, maybe the whole country of Wales or Tucson, Az.
PEV: What do all your friends and family back home think about your success?
DRW: My mama has always been supportive as has my brother. My dad on the other hand finally accepted that I'm not a 9-5er.
PEV: If you could collaborate with one artist, alive or deceased, who would it be and why?
DRW: Bono Vox. He's blood, sweat, and dynamite.
PEV: What is the best part about playing live?
DRW: The immediacy. I like putting life on hold and living moment to moment, note to note on the stage. At best It's primal and instinctive.
PEV: How has life on the road been for you?
DRW: I like to travel.
PEV: If I were to walk into your studio right now, what is one thing I would be surprised to find?
DRW: An album cover of Bob Dylan "Blonde on Blonde", ripped open, pinned to the wall.
PEV: When you aren't writing or performing, what can we find you doing?
DRW: I photograph the tops of trees with 40 year old medium format cameras, cross-processing slide film.
PEV: There are heated debates about offering free music online. What is your opinion?
DRW: I don't know; what about free instruments, free tour vans, free rent and food?
PEV: So, what is next for Dead Rock West?
DRW: We are doing a 2 month American tour with John Doe from X, starting June 14 and ending August 17. Our new record is called "Honey and Salt". His new record is called "A Year in the Wilderness". Together we will rule North America.
For more information on Dead Rock West, check out: www.DeadRockWest.com
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June 14-15, 2007: The Black Cubes - Michelangelo Roberti
Where to start, where to start, where-to-start...Well, I am pretty sure I have found one of the most intriguing people in the world. I actually heard about "The Black Cubes" last year, and coming across featuring the creator of this project just happened to be, pure luck. I say this because I have created a site that features people whose talents fascinate and overwhelm our culture. Just by visiting the Archive section of the site shows a pretty good example and I believe that Italian artist, Michelangelo Roberti has made a strong claim for the title of "most fascinating". "The Black Cubes" is a mesmerizing contemporary art project, toying with human curiosity. Roberti will create 999 black wooden cubes, every cube has the same shape, appearance and dimensions (every side is 20 cm.) and all contain "something inside"-which Roberti refuses to divulge. Roberti has become an artistic enigma; constantly leaving people in complete disbelief. Not only is Roberti's "black cubes" sweeping the art community, it is frustrating people as well. Now, I don't own one of Roberti's cubes but I have been staring at a photograph of one, as if it will come to life. I have no idea what is inside of that box but I have several dozens of ideas on what "could" be (I stopped keeping track around 60 ideas). I know what you're thinking, "Why not open the box?" Then again, why not let an author tell you how his next book will end? Or go to a movie and have the ticket-taker tell you what happens in the second act? You can't thing along those lines in art. That would be like telling an abstract painter to just "paint a [real] figure." Art, in all its fascists evokes thought and emotion; love, loss, fear, laughter or lack there of feeling. Roberti's work makes you think and by opening the cube (or by destroying it) depletes the purpose of enjoying a genius piece. Reoberti's cubes have become a form of therapy, meditation and even good conversation. You can rack your brain for hours, days or years...or just discount it all together; regardless you will always remember "The Black Cubes". Read his XXQs to find out more...
XXQs: Michelangelo Roberti
PensEyeView.com (PEV): How/when did you first get involved in art?
Michelangelo Roberti (MR): I have to say that my favorite artistic expression has always been music. I've spent more than 15 years playing drums and percussion, and I've always been interested in electronic music composition. I also like producing and recording music; I spend a lot of time in recording music and I'm building my own recording studio in my town. It' a dream that is coming true!
"The Black Cubes" is my first conceptual art project. I have a lot of ideas in that kind of artistic expression, but before giving them a concrete form I want the black cubes to grow quite more.
PEV: Living in Italy, what is the art scene like there?
Unfortunately I hadn't traveled a lot in my life, but I think that in the place where I live, in the grey and foggy Pianura Padana area, I've found a lot of interesting realities, first off all in music. Even if I've started a conceptual project I don't attend museums and art galleries very often. I've always preferred music and "underground" culture, and I've noticed a particular fervor in the Italian scene, that often is not coinciding with the impressions you can have from outside. To understand better this feeling, you must know that the best composer and musician I've ever known is one of my best friends and is a cook.
PEV: In all your travels, which city has the best environment for artists?
I found a lot of places very exciting from this point of view in Europe, especially in post-communist countries, in the East-Europe. In a city like Prague, I've been very impressed by the excellence of handicraft, and the expressiveness of artistic creations, even in the popular contest. I've visited a high school in which a very impressive percentage (if compared with Italy) of boys, expressed their creativity in the wood carving, painting, sculpting or playing music. Here I've thought for the first time that the lack of tools and utility improve cleverness.
PEV: What is "The Black Cubes" project?
MR: "The Black Cubes" is a project started to describe human curiosity. As you can have already guessed I don't consider myself an artist in the right sense of the word, because I think that you can define someone an artist only if he has artistic culture and his own artistic history. I have also to say that art is not my first purpose, as I consider art a way to achieve philosophical and conceptual results. I've simply thought that it would have been funny to understand what human curiosity is, starting from people reactions. What happens if you are in front of a box that you can't open? To create this situation I had to create a belief in people and this belief is that in the cubes there is something (and there is something of course). People believe that there is something because if they want they effectively had the possibility to open the cube: even if they don't, this possibility is real. I had also make them believe that the content has a sense which is lost forever if the cube is opened. To protect the cube from being opened so, I had to think about some different levels of beliefs.
- In the cubes there's something
- Even if you see the content you couldn't understand it
- The cube is a piece of Art
The success of the project is determined by those three levels of belief.
PEV: How did feel the first time you walked into a place and saw one of your cubes on display?
MR: I think that the place for a black cube is to be a private space. I can't imagine a cube closed in a museum; as this is almost a behavioral research; their place is in the house of their owners, which want to face the challenge. I want the relationship between the cubes and those owners to be something very intimate, in this sense private. However I've seen some photos of one of my cubes (number 500) in an art gallery in Madrid and I've thought that it was really cool!
PEV: Why do you think people are so interested in "The Black Cubes"?
MR: There are different facets; first I hope that the idea fascinates them, but I'm sure that a good part of them consider the cube an investment for the future. I must say that this is very important for the project, because if the cube shouldn't be considered as Art, everybody would open it, to see what is inside it. Opening a cube means not only destroying the sense of its content, but also the Artwork that is the cube closed the cube in its integrity. This integrity not only gives sense to the content but to the cube as Artwork and to my whole project. Only if the cube is closed it can talk, make questions and induce temptation. As curiosity dies with knowledge, the cube dies when you want to reveal its secret.
PEV: Your project is a fascination of human curiosity but what fascinates you?
MR: I'm really interested in philosophy, in particular to the path started by Husserl phenomenology and evolved in the philosophy of language of the early '900. I'm referring to this path and I want to know what is the essence of the concept of curiosity?... What are the particularities of this concept?
PEV: Has anyone ever actually opened one of the cubes?
MR: No one, I think, has already opened the cube.
PEV: Will you ever tell us what's inside?
MR: Absolutely not!!
PEV: What do your friends and family think about your work?
MR: They are curious to know what will be next, how many cubes I'm going to sell and if this project will change my life... Obviously I'm curious too...
PEV: How many cubes have you sold to date? And what will happen when the 999th cube is sold?
MR: 70 cubes have been sold. When the last cube will be sold something will happen. This thing cannot be done now, as I'm not still a big name. Being a big name and having some influence on people and the art world will let me develop in an unexpected way the project. But if I will not sell all the cubes what I want to do will lose its sense. So we have to wait!
PEV: What has the feedback been from people who have purchased a cube?
MR: Everybody finds them nice.
PEV: A lot of artists listen to music when they work. What kind of music are you listening to now?
MR: I'm always listening music. Now I'm listening to some Load Records group, like Usaisamonster, Lightning Bolt, some rock classic, like Doors, Can and Soft Machine and Morricone, that helps me dream...
PEV: What do you say to the people that don't "get" abstract art?
MR: I don't want to judge people tastes. A lot consider "beauty" as the aim of art and I can't criticize their personal sensibility; some don't want to think in front of a picture or a sculpture and probably a lot will not like my cubes. I think that abstract/conceptual art can have a great diffusion because it can be described. You don't have to actually see the cube, because the most important thing is the concept, not its form. Instead you can't describe Michelangelo's (the real one!) Cappella Sistina, you have to see it.
PEV: If you could sit down for dinner with one artist, alive or deceased, who would it be? Why?
MR: It's a very difficult question, but beautiful. I think I would choose Spike Jones, a mad jazz musician from the 40s that had the ability to play everything as a musical instrument. I'd like to drink wine and play with him what remains on the table. It'd be very funny!
PEV: What is one thing people would be surprised to hear about Michelangelo Roberti?
MR: That he is a woman despite the moustache
PEV: What is a normal day like for you?
MR: I wake up, drink a coffee, take the bike and go to my studio, when I work as a web designer till 3 p.m. If I've sold a cube, I made it, if not I try to finish some musical work I've started.
PEV: If I just walked off the street and into your studio, what would I see?
MR: By now two friends of mine that are working to make the recording studio, some wrong cube, me in front of the PC working and listening to music and my friend cook (the best guitar player I've ever met) that sleeps on the sofa during the break.
PEV: What do you like to do when you are not working?
MR: I'd like to do nothing, but I can't resist making and listening to music
PEV: So, what is next for Michelangelo Roberti?
In the next 5 minutes I will drink a beer and smoke a cigarette.
For more information on Roberti, check out: www.TheBlackCubes.com
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June 16-17, 2007: Band of Thieves
"Band of Thieves" is a more than suitable name for these five New York musicians. For what seems much longer than only meeting each other in the fall of 2006, Band of Thieves have been stealing the show from day one. Again, I have to just touch on the fact that these five guys have been together less then a year, but already sell out shows in many major venues and remain a top download (see their MySpace page). I am in such shock; since I can't remember the last time I heard about a group of people as a result of finding each other due simply to the "right place-right time" factor, hit it off so well and then decide, "let's make a record". Now, I may be over dramatic in this aspect but spotting great talent is pretty important to me and hearing the story of how artists find their medium as well as passion, completely fascinates me. This is just one reason why I am so blown away with the sounds of Band of Thieves. Each individual's depth of musical knowledge and experience spans several genres and cultures, which bring their unique, classic rock sound to the modern stages of pop culture. When you hear, The Band of Thieves 'Woman EP' you can't help but get trapped in their world of deep rock, symbolic of the seventies style power and fervor. They are proof that great rock music can still be made. There is no crime with supporting these thieves who remind us, "Music should never be harmless". Plus they know how to give one heck of an interview! Read their XXQs to find out more.
XXQs: Band of Thieves
PensEyeView.com (PEV): How and when did Band of Thieves form?
Band of Thieves (BOT): Band of Thieves formed in the Lower East Side of Manhattan in the fall of 2006. I had been writing songs on my own for awhile and searching for the right people to collaborate with. The real spark for the band was meeting one of our guitarists, Gitano, and realizing that there were other people out there with similar tastes and drive. The rest just seemed to fall into place quite easily after that.
PEV: Was there a certain time or event that you realized you wanted to make music a full time career?
BOT: I have been fortunate enough to be playing music in bands all of my life. I think the first time I really realized it was possible to make music a full time career was with my previous band Midtown. I had dropped out of college and was now traveling all over the world playing music. What a great fucking feeling. I think I always have had grand intentions with my life, but I never really knew it was possible. I have been really lucky so far, but I have also worked really hard to get here and plan on sticking around for some time.
PEV: Tell us you mean wanting to "Make sunny music for shady people" (A great saying by the way).
BOT: Thanks very much...it's pretty good right? I am not saying that I run with an exclusively "shady" crowd (nor am I saying I don't) but I want to make good time music that appeals to people like me. A happy sounding ass shaking song that maybe isn't so happy if you really listen to the words. Music should always have an element of seedy-ness to it, and I think that has been truly lost recently. If all the people who sing along to classic rock songs actually listened to the words, they would be shocked at how many are about freaky sex and drugs. I LOVE THAT. Lets keep that tradition alive!
PEV: What was it like the first time you stepped into a recording studio?
BOT: I will tell you its certainly changed quite a bit since then. The first time I ever went into a studio was when I was in high school in the late 90s and I really felt special...it felt special. I remember drinking beer in between vocal takes and getting drunk. I think we did nine full songs in a couple hours and then sent it off to Discmakers to press our cassette. Now studios couldn't be more different. With the advancements of digital recording it has lost a bit of its sparkle, but its amazing the things you can do with zero budget. I would trade the excitement for a cheaper, better sounding product any day.
PEV: What can people expect from your latest EP "Band of Thieves"?
BOT: It's a return to good time rock n roll. Songs by a band that works hard and plays hard...you can tell when you hear it. There is a lot of sweat in that recording. And the songs are f*#king great too if I may say so myself. Best few dollars you can spend!
PEV: If you could collaborate with one artist, alive or deceased, who would it be and why?
BOT: Questions like these I find so difficult. It's like "What's your favorite song?"...you can never give an answer that is 100% satisfactory. Maybe John Lennon. Not only did he have an unbelievable gift for melody, he also wrote some pretty fantastic lyrics. Also Roky Erikson would be cool cause for all of you that don't know he is insane. For real. He got busted for pot in the 60s, pled insanity and got electro shock therapy for years. He is also got a beautiful gift for melody, but his lyrics are the craziest things I have ever heard. He sings about 3 headed dogs working at the Kremlin, taking evening walks with Zombies and many, many songs about the devil. So yes, Roky Erikson. Check him out
PEV: The members of Band of Thieves have traveled all over the world performing. Which city do you think offers the best environment for music?
BOT: It's hard to deny how much creativity comes out of New York, except it really beats a lot of people down cause it's so expensive to live here. The Swedish band the Hives told me that in Sweden the government gives musicians loans and tax breaks. How crazy is that? But by far the greatest place to play in the world has got to be Japan. They are the best, biggest and most enthusiastic crowds Earth has to offer.
PEV: How is the American music scene different from overseas?
BOT: As with everything else, it seems American music is becoming more and more the global taste now. But if you look at the UK charts compared to the US ones its mind blowing. How come everyone in the UK has good taste? Except for your pop music. It's awful. But then again so is ours. Americans seem to forget what it's like to be challenged by music, everything needs to be so apparent and just so nowadays. I really hope that can change.
PEV: What is the best part about playing live?
BOT: Everything
PEV: What was it like the first time you played live?
BOT: Have you seen Bill and Ted's Excellent Adventure? When Wyld Stallyns plays and the planets align and there is peace throughout the universe? It was something like that. At least in my mind. It was the physical manifestation of everything that I have ever wanted to do musically.
PEV: How has life on the road been for you?
BOT: The real pleasure in playing music is seeing the response you get form people nightly that dig what you are doing. As long as that continues then it's easy to forgive all the hardships of touring.
PEV: What's something we'd be surprised to hear about Band of Thieves?
BOT: That we are really, really handsome. Also really, really humble.
PEV: What other musician or band do you think people should be looking out for right now?
BOT: I wish I could recommend some fantastic hidden gem right now...got one, Bing Ji Ling. Amazing funky soul. You really all should give him a listen.
PEV: Explain your creative process. Do you come up with a line first or the music and then match the words? Scribble out notes all day?
BOT: There are versions of all the songs with me just singing jibberish on them. Melody usually comes first for me and then I come up with some lyric and write the song around it. But on some occasions songs are just little riffs first. Since I played guitar in my old bands a lot of my older songs, like Woman, were written first on guitar. But now that I am just singing I generally write melody first. And no you can't hear the jibberish songs.
PEV: What is in your currently in your CD player or on your iPod ?
BOT: I am really into my classics; Rod Stewart, the Band, Rolling Stones. But there is some other stuff on there as well, a lot of Motown and such...Great song writing.
PEV: When you first started out, did you think then, that you would be doing so well, so fast?
BOT: I didn't realize I was...thanks very much. This band is just a testament to hard work and belief in yourself. At the risk of sounding like a motivational calendar, that really is all you need.
PEV: What do all your friends and family back home think about your success?
BOT: My friends are glad I am finally in a band they like. My family is proud because I have been acting superior my whole life so maybe now it will be justified. Just kidding around. Everyone is very pleased.
PEV: When you are not writing, performing or traveling, what can we find you doing?
BOT: Sadly not much else. Probably looking in the mirror.
PEV: If Saturday Night Live called and asked you to be their musical guest, who be your ideal host?
BOT: With the humor presented in this interview don't you think I could handle it? Honestly probably Alec Baldwin. He is always the best, best host and I also think his daughter is a pig, so it would be a laugh riot.
PEV: So, what is next for Band of Thieves?
BOT: More writing and playing. We are back in the studio right now laying down more songs so keep a look out for those soon and hopefully a full length. And a rock show you soon won't forget hopefully at a town near you.
To find out more on Band Of Thieves, check out: www.MySpace.com/WeAreBandOfThieves
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June 18-19, 2007: Alexa Wilkinson
Alexa Wilkinson has an unique appeal that often gets her labeled as the "girl-next-door". Rightfully so, since this 5'4" beauty, with the golden voice and mature style has every guy in America lining up. However, last time I checked not many "girls-next-door" mastered "Hotel California" on the guitar at age 11 and say their first album ever purchased was Nirvana's "Never Mind". It was that maturity in which Wilkinson adapted at an early age, that has allowed her to write and perform all 11 songs on her debut album, "Lullaby Appetite". In the cut-throat business of pop music, Wilkinson has decided to go the daring route of a "true musician" and build her reputation based off her own original style. More proof is when acclaimed singer/songwriter Josh Kelley asked to produce and co-write "Lullaby Appetite" (the two were on tour together earlier this year), which is a rather hefty endorsement. "Lullaby Appetite" has an exceptional range of songs from the more jazz induced, "Sad Eyed Annabelle", to more playful "Good Fight", to Wilkinson's first single, "Of Graves"; which tells the sad tale of broken hearts. Her desire to write this way is not only rare but very well appreciated.
Wilkinson will tell you that she thinks a lot about the artist's story behind each song. Which, I liked hearing in particular since only real artists possess the ability to step back and watch others work and learn from them. Some of the "artists" (I use that term loosely) currently on the pop charts now might want to pay close attention to Wilkinson since 1) Alexa Wilkinson is the real deal, in every sense 2) Young singer/songwriters with their own opinions should not only be watched but praised and 3) They might want to familiarize themselves with the girl that will be knocking them out of their spot, rather shortly. Check out her XXQs to find out more.
XXQs: Alexa Wilkinson
PensEyeView.com (PEV): How and when did you first get involved in music?
Alexa Wilkinson (AW): I first got into music when I was a little kid, around 10. In elementary school I had a little 4th grade boyfriend and he was taking trumpet lessons, so I decided to take them as well. After my first trumpet lesson I was pretty much hooked. I tried every instrument from violin to tuba.
PEV: Was there a certain time or event that you realized you wanted to make music a career?
AW: There was. I ended up singing a Celine Dion song for my 8th grade "gradation" (which was, as my mom describes it, creepy). It was really the first time I ever sang for a group of people and I realized the moment I picked up the microphone that I wanted to do it the rest of my life.
PEV: What was it like the first time you stepped into a recording studio?
AW: The first time I walked into a studio I thought "What the hell is all of this stuff!" I was kind of dazzled. I didn't realize how much skill and technique went into recording. It looked like a giant puzzle I wanted to solve.
PEV: What can people expect from your new album "Lullaby Appetite"?
AW: I think people can expect an album that has a bit of every genre, songs with lyrical depth, and a different sound then what's typically "radio friendly" today. I try not to limit people's imagination when listening to a song, so I think people can also expect to relate to at least one song on the album. Actually, I can guarantee it or your money back.
PEV: On "Lullaby Appetite" you collaborated with fellow musician and touring partner, Josh Kelley. What was it like working with him and how did influence the album?
AW: Josh is the most magnetic person you'll ever meet. He is an amazing songwriter, producer and performer. I am so fortunate I got the opportunity to work with him, he has taught me so much while producing my album. He produced and basically made two of the most important tracks on the album what they are ("Of Graves" and "Lullaby Appetite"). Working with him is an experience every time. I love it.
PEV: If you could collaborate with one artist, alive or deceased, who would it be and why?
AW: Joni Mitchell. I think she is an extraordinary songwriter and she was so dedicated to staying true to her own style. No other artist has ever touched me the way her songs do. I've been saying for the longest time, if I could get Joni Mitchell to paint my album cover one day, I would die happy.
PEV: You have traveled all over performing. Which city do you think offers the best environment for music?
AW: I have yet to experience a substantial amount of touring, but if I had to judge based off this last tour…Chicago by far. That crowd was amazing! The people are so warm and friendly. I sold twice as many CD's there as I did any other city. I had one of the best nights on tour there.
PEV: How has life on the road been for you?
AW: Amazing. I have met so many amazing people, including other songwriters and artists. I have learned so much in a short amount of time. I am very excited to get going on another tour.
PEV: Explain your creative process. Do you come up with a line first or the music and then match the words? Scribble out notes all day?
AW: My creative process has seemed to condition itself to coming alive while I'm in the car. (I actually just wrote a song about this). I normally just start humming a melody and sing some words to it. If I like what I said, I write it down. By the time I get home… you should see how many pages of one-liners I have! I cipher through them and pick a specific topic I want to write about. That's how I've been writing lately anyway.
PEV: What kind of atmosphere do you surround yourself in when you sit down to write?
AW: Songwriting to me is a form of meditation. I like to be very alone and in a very comfortable place. So I find myself staying up until 4am finishing a song I started around 12am. I like to be very relaxed an open minded, and I always shut off my cell phone. When I'm collaborating though it's a completely different story.
PEV: Is there one aspect or theme of your music you find yourself constantly leaning to or tend to focus on more?
AW: I like to focus more on the lyrics of my songs rather than a guitar part or anything else. I think songwriting is a little like cooking because you have a certain amount of chords you can use, but lyrically… you can be different and individual. I like to focus on getting my message across in a better, even cleverer way than the next song.
PEV: What was it like the first time you played live on stage?
AW: It was like jumping out of an airplane. At first, very scary, but once I realized that I actually had to step up and do my thing, it felt natural and I loved it. Performing love is one of the hardest jobs I think, because its one of the only jobs where you receive instantaneous feedback, and you always want that feedback to be good!
PEV: What do all your friends and family back home think about your success?
AW: They're all pretty proud of me I think. Park City was and is still a huge support system for me. That town embraced my music with open arms, and I can't thank everyone enough for how much love they've given me over the years. I'm very excited to go back there this summer and play live for them again.
PEV: When you are not writing, performing or traveling, what can we find you doing?
AW: I have been really into photography lately. Almost guaranteed if I'm not at home writing, I'll be out hiking, taking pictures or driving around the city looking for anything that catches my eye. I hope success in music will also help me grow as a photographer. I like to get outside and be active also so sometimes I take a soccer ball down to the beach and just mess around.
PEV: If Saturday Night Live called and asked you to be their musical guest, who be your ideal host?
AW: Haha I wouldn't care who was the host! I would do it in a heartbeat! However, if I had a choice? Jack Black. He's one of the funniest people in the world.
PEV: What is the best part about playing live?
AW: The best part about playing live is being able to share your passion with other people. I think songwriters have the ability to say what people could never think to, and if your live performance is even better than a recording it makes your words that much more meaningful. I love giving people a little bit of me with every performance.
PEV: What's something we'd be surprised to hear about you?
AW: It may surprise you to learn that I don't eat meat.
PEV: If I were to walk into your house right now, what would I find?
AW: You would find me sitting on my bed playing my guitar, with a Billy The Kid poster hanging above my head. It would probably smell like a Thanksgiving feast on account of my neighbor who cooks all through the night. You would find a bunch of books on my shelf I haven't read, and old pictures from my first year at college that I haven't switched out for more recent ones. You'd also notice my little home studio I have set up in the corner of my room and probably play my djembe for a minute before looking at my enormous DVD collection… consisting mostly of South Park and the Reno 911 series.
PEV: How does it feel to have accomplished so much at such a young?
AW: I feel like in terms of accomplishments I haven't really done all that much. I owe a lot to my recent success to the people around me. I have an amazing support system behind me, and without them I don't know how much I would have accomplished by now. It feels really good though to start getting recognition for something as unconventional as singing. Because every person that takes a chance on this profession has some doubt in the beginning, it feels good to no longer have that doubt and to know I'm on the right path.
PEV: So, what is next for Alexa Wilkinson?
AW: What's next is a whole lot of promotion for Lullaby Appetite, touring and writing new songs. I'm working every day on my show and writing, I just hope to get better and better every day.
For more information on Alexa Wilkinson, check out: www.AlexaWilkinson.com
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June 20-21, 2007: Gina Villalobos
The story of Gina Villalobos seems something of the great American novel, more than real life. As you get to know her, hear her music and explore her world, you can't help but root for the woman who has triumphed over every hurdle life has brought. She is about as unique and determined as they come; refusing to let her "war wounds" get the better of her. With twist and turns of growing up, trying for years to find your niche in the music world and sustaining a serious injury to her right eye, being told on Christmas Day (2003), that she would remain forever totally blind in that eye. Events like that would crush an average person but it takes a true artist to turn a situation around by any means and luckily for us Villalobos chose music as her vice. Where as most would just sit and sigh in the face of discouragement, Villalobos not only picked up the pieces but throws them in your face. Her latest release, Miles Away is proof her determination and drive. With A blend of folk, rock and Americana, sweet harmonies, with lyrics that will make you cry, laugh and rejoice in the fact that years of great work continues to pay off. Read her XXQs to find out more.
XXQs: Gina Villalobos
PensEyeView.com (PEV): How and when did you first get started in music?
Gina Villalobos (GV): I had a couple of guitar lessons when I was about six or seven years old. Nothing major just learned three or four chords. I just kind of always picked the guitar up after that point, on and off throughout the years and taught myself the rest. There was always music and musicians in the house. I soaked it up. I remember having a book called the Complete Beatles. It was a book with ALL of the Beatles songs in it. I learned so many guitar chords from that book.
When we were kids we had a "Band Room" in the house with guitars, guitar amps drums etc.. During the long hot summers we would make noise in that room ALL day and ALL night long. We lived in a rural part of southern CA called Lake Sherwood, wildfire distance from Malibu. In the late 70’s and throughout the 80’s it was a patch of country-side, with about 50 houses that surrounded the Lake, we kind of ran wild and could be as LOUD as we wanted, be whatever we wanted and we wanted to be in a band. It would not have been the same if I didn’t grow up there. Good times.
Back to the "Band Room". My favorite instrument at the time was the drums but we all played everything. Our house sat at the edge of a big open field, formally named "Maid Merian Park". From our band room we had a wide-open view of the field. We used to wait until we saw someone approaching and launch into our best version of whatever song we were playing at the time.
Anyway, that’s how I got started in Music. Most kids play "House", we played "Band".
PEV: Was there a certain time or event that made you decide music is going to be a profession?
GV: It was more about coming into myself and being aware of whom I was. I never said to myself…"I am deciding, right now, to be a professional musician". It was more like, "this is what I have always been, (a musician) ".
PEV: What was it like the first time you performed live and when was it?
GV: Oh my God! It was when I was in college in Santa Barbara. We, my band Liquid Sunshine, played at The Pub on campus. I think it might have been a talent show or something like that. It was so long ago it is hard to remember. I do remember being nervous. It was about 1991. We played a few of my songs, maybe three. I remember nervously bumping into my band mates or them bumping into me. We had crappy instruments. It was adorable. We got another gig quickly there after. It was so bad!
PEV: Your career has spanned many genres of music, which do you find to be the best fit?
GV: If anything I have come full circle. Musically, I feel like I have been standing under the same umbrella of "some kind of rock", for the last 17 years and as a writer have been coming from one place. From day one I have been writing little pop folk songs. Through the years and my growth as a musician and writer, I think it’s natural to experiment with new instruments and sounds, and to start wrapping your songs in different packaging. It’s never a conscious decision, as most people would think, its just part of the growing process as an artist.
With that said, my first band was very acoustic based, one could say it was the folksiest of my projects, just two acoustic guitars, vocals and harmonies. My second band was the same thing except instead of two acoustic guitars, one was plugged in and I added bass and drums. My current stuff is just a combo of the two. I have songs that have crossed-over to all three of my bands.
PEV: What was it like the first time you stepped into a recording studio?
GV: It was so long ago, about 17 years. It’s hard to remember. There have been so many hours of memories and music between now and then that it makes it hard to recall the experience in detail. I was just talking about this last night with my guitar player after practice….it only cost $1000 to record my first CD. We recorded in a studio behind a music store on State Street in Santa Barbara I remember it being exciting and there being a lot of reverb! I think that is why I have such a fear of reverb today! I was kind of tortured by it.
PEV: When you write music, what kind of element do you prefer to surround yourself in?
GV: Oh it doesn’t matter. You kind of just have to be ready to go with it when a song comes. I have written in all kind of environments.
PEV: Is there one aspect to your music, be it the type of songs, acoustic/electric, range in vocals; you find yourself leaning towards more then others?
GV: Not really. Mid tempo, hooky-repeating lines are always fun to sing. I like to repeat lines and try to evoke new meaning into each by flipping the melody around. But really…any song where I feel like I have had a complete thought, where I can say to myself, "this is what I was trying to say when I set out to write this song and I feel like I am actually saying it". Those are the songs I lean towards. Ultimately those are the ones that end up being on your records.
PEV: What can we expect from your latest release, Miles Away?
GV: A blend of Folk, Rock and Americana, articulated with Drums, Bass, Twangy Electric Guitars, Acoustic Guitars, Pedal Steel, keyboards, Vocals, and sweet harmonies. It's mid tempo, great for driving, raw, emotional, vulnerable, rocking at times, tender at times, music!
PEV: Describe the feeling the first time you started to write Miles Away?
GV: All the songs on the record were ongoing pieces of work written between Aug 2004 Dec 2005. Lots of different things were going on in my life so I didn’t have any "one feeling". I never set out to write an album so there was no point in time that I officially "started to write Miles Away". I just wrote songs. It was not apparent to me I even had a collection of songs that would make a good record as a group until 2/3 of the way through recording my songs. The whole thing did not really come into focus for me until the very end.
PEV: How is Miles Away different from other albums out today?
GV: It will make you feel happy and sad at he same time!
I play Roots Rock… Americana. It’s not a cutting edge format. I have never claimed to be doing anything that hasn’t been done before. It’s a classic format. My challenge is to try and offer up something to the listener that makes them feel differently when they listen to my music opposed to someone else’s. I think it’s a good thing if I can give the listener his or her own experience. If my songs can make them look inward, I think that’s the point at which I connect to the listener, and hopefully that is what makes me a little different from other albums put there.
PEV: In all your travels, which city has been your favorite to perform in? And which offers the best atmosphere for music appreciation?
GV: Ummmmm (long pause) Auckland, New Zealand.
PEV: Is there someone that you wish to collaborate with that you haven't gotten a chance to yet?
GV: Neil Young, Ryan Adams, Tom Petty.
PEV: In your opinion, who is an artist to watch today?
GV: I am listening to a bunch of older music right now. Let me think… Maria Taylor or Carrie Rodriguez
PEV: What's something we'd be surprised to hear about Gina Villalobos?
GV: I don’t know what people’s perceptions of me are so I don’t know what would be surprising to people. Let see…I am not a huge music fan, meaning I’m not up on who is who, what record is coming out etc., hence my answer to above question.
PEV: How have your friends and family reacted to your success?
GV: If things happened over night I would be able to answer this question with a black and white answer, but it didn’t. I have been doing this for 17 years and slowly building my career. I am just a normal person to my friends and family. They treat me like anybody else. They are happy for me when I achieve something I have been striving for, jut as I would if they did.
GV: They have been really excited about all of the traveling I have been able to do.
PEV: What can people expect from a live Gina Villalobos show?
GV: A variety of things. Either full band or more of a broken down version of that. Sometimes I like to add instruments that were not on my records, like Cello. I have been playing songs from my last two recordings
PEV: How has life on the road and touring been for you?
GV: Life of the road is nothing like most people perceive it to be. It’s a lot of work….Rock n roll is a lot of work. For me, life on the road has been a mix of great memories along with some memories that at the time didn’t seem so funny that I can laugh at now. It’s pretty physically exhausting but at the same time pretty exciting to be in a different city or different country on a nightly basis. The lifestyle can be pretty unhealthy unless of course you are of Madonna status and are followed around by cooks, trainers and assistants. For most of us this is not the case.
PEV: Describe the feeling of hearing fans sing along with you when you perform.
GV: It’s great if I forget the words! Seriously though it’s a great feeling when it’s not your friends or your family singing a long. It’s indescribable.
PEV: So, what is next for Gina Villalobos?
GV: Don’t know…. I have been doing this for 17 years. There are only a small percentage of musicians who are of that rock star status. The other 99% are working musicians like myself. I live CD sale to CD sale (literally). Currently there are no funds for future projects.
For more information on Gina Villalobos, check out: www.GinaVillabolos.com
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June 22-23, 2007: Josh Kelley
I think that Josh Kelley, iTunes and my credit card company are on a secret mission to make me broke... seriously (don't tell my wife seriously!). Granted I do get some (VERY much appreciated) freebees, but there is always more out there. Then I come across a guy like Josh Kelley and then it's "ok, time to get a new computer to hold all this stuff". Everywhere I go people ask me, who to look for, whose going to be big, who is already big, and most recently it's been Josh Kelley I send them. In the fresh new wave of young artists, Josh Kelly seems to be the one controlling the current. Let's see artist-check, singer-check, songwriter-check, producer-check, a record label's wildest dream come true-CHECK! Josh Kelley has one of the fastest rising careers today. His recent album "Just Say the Word" was entirely written, produced and performed by Kelley himself. His work is not going unnoticed; Entertainment Weekly, People, Good Morning America, Whoopi Goldberg's radio show, Emeril Live, TV shows using his music and Billboard Magazine, all praised Kelley and dubbed him as the one of (if not the) most influential artists in today's music. Along with the mass amount of superlatives, he became a top artist on iTunes the minute he arrived and remains there today. On June 6th, "Just Say the Word" made an impressive and successful pre-release launch on iTunes that lifted Kelley to the #1 position among all iTunes folk artists. As well, on June 13th, "Just Say the Word" landed a #27 position on iTunes Top Albums. Most recently his hit ballad, "Beautiful Goodbye" has become an anthem for the loved ones of soldiers fighting in Iraq, prior to the single being released. It this connection that people have with Kelley that makes him so admirable. You won't hear many people referring to the "tabloid infested" pop stars (who would rather flaunt their social embarrassments, than work on establishing themselves as an artist) as being inspirational, where as Kelley, who has developed an overwhelming "cult-like" following, is the one that person people have decided to connect with. Whatever phrase Kelley's name falls after; producer, artist, songwriter... I think the one we'll be hearing soon is, "And the Grammy goes to..." Now I don't want to put the jinx in to effect but let's be honest here, sometimes you just have to call it down the line. Whether it's writing nonstop, which Kelley admits he is obsessed with, performing, painting or even putting out his own art book called "Special Company for Coffee", you can guarantee Josh Kelley isn't going away any time soon (thankfully). Check out his XXQs to find out more. How and when did you first get involved in music?
My older brother John Kelley left his nylon string acoustic guitar at home when I was about 9 years old. He was in college and forgot it so when he came back home a month later I had already taught myself how to play and in his words "sounds like your better than me little bro" he gave it to me and the rest is history...
Was there a certain time or event that made you decide music was no longer going to be a hobby but a full time career?
I went to the University of Mississippi - I booked my first solo gig my sophomore year in front of 20 or so people - 6 months later I had 800 to 1000 people showing up for my regular gig at THE BLUE MARLIN bar. I found out people were coming from neighboring states. I knew then I could really do this professionally.
What kind of environment do you surround yourself in when you write?
Any and every environment - doesn't matter where...I'm obsessed with writing - it's my constant therapy...
What was it like the first time you stepped into a studio to record your own music?
Powerful - like a famous painter with any color to chose from.
How is your latest album "Just Say the Word" (Solely produced and performed by Kelley) different from your earlier work, For The Ride Home (which was released in 2003?
I compare it to when Stevie Wonder created INNERVISIONS. You can tell that the music is a direct link to his soul, there is no mistaking that JUST SAY THE WORD is 100 percent JOSH KELLEY.
What is the story behind the title track "Just Say The Word"?
I had too much to say not enough balls to say it, so I put it in a song. I wanted past loved ones to know that I will always be there for them in a pinch but could never cross the line again. The love we shared was not a forever love.
Along with appearing as a guest on shows like Good Morning America, Ellen and Emeril, you also have songs featured on episodes of other popular TV shows, including Smallville ("Almost Honest" and "Cain and Able"), Scrubs (digital soundtrack), Brothers and Sisters ("Opposite of Me"), and What About Brian ("Lady of Mine"). What was it like to be showcased as a guest on such a major outlet and to hear your music as a part of some of the hottest shows on TV?
Pride, in a job well done. I don't just create music for myself, I create it for my fellow man to enjoy. When I hear my music on a TV show it gives me fuel to keep creating...not to mention it really pays the bills.
Your music has taken you all over the world; which city do you think offers the best environment for music?
Chicago hands down is my favorite market. When I can get the rest of the world to embrace my music like Chicago does, I'll become the star I've always dreamed of being.
What is something we would be surprised to hear about you?
I love to grow my beard out.
How have all your friends and family reacted to your success?
They are all very supportive and big fans. It's a must to have that kind of support. Being grounded keeps an entertainer entertaining.
Tell us about your involvement with Recording Artists Against Drunk Driving-RADD.
I was approached 2 years ago to become a celebrity messenger for RADD. I've played many shows and also sang many national anthems for NASCAR as a celebrity messenger. I get it because it's not about cutting out alcohol, it's about being responsible behind the wheel.
What can someone expect from a live Josh Kelley show? What is the best part about playing live?
Expect to be entertained. The live show is like theater. If people wanted to just hear the music they can buy and album and get a nice stereo, people come to my show for the experience...it's the ultimate drug and you get a workout at the same time hahaha.
In your opinion what makes for a great song?
There is no formula...just be honest.
Is there one artist now that you think people should be looking out for?
James Morrison
What is currently in your CD player or on your iPod right now?
The White Buffalo
If I were to walk into your house right now, what is one thing I would be surprised to find?
Nothing. I leave surprises to magicians.
When you are not traveling, writing or performing, what do you like to do?
I love to paint, sculpt, draw, make movies, cook, spend time with my wonderful fiancÈ (Katherine Heigl - Grey's Anatomy)
If you could collaborate with one artist, alive or passed, who would it be and why?
Stevie Wonder...self explanatory.
How has life on the road been for you? And what is the best and worst part about "road life"?
The pros far outweigh the cons. Again performing is a drug. Seeing the world is exciting but now that I have someone in my life that I give most of my love to it's hard to be away.
What is next for Josh Kelley?
Producing The White Buffalo, American Idol Artists, building the label I started (DNK Records). Just put out an art book called "SPECIAL COMPANY FOR COFFEE". You can find it at Blurb.com and www.JoshKelley.com and MySpace.com/JoshKelley. MY next album, comes out fall of 2007 called "Special Company". And most getting married to my fiancÈ.
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June 24-25, 2007: Abra Moore
There is something about Abra Moore that seems to relax you. I can't quite place it but I can't help but constantly go back to that feeling when I listen to her music or hear her story. Moore talks about how she "has learned a few things about music, life and the intrinsic value of happiness and balance." Maybe it was that line alone that stuck in my head when I started listening to her latest release "On The Way" or maybe it's her optimistic outlook on her music and cool confidence that has me convinced. Regardless, of what draws people to this Grammy nominated (in the Best Female Rock Vocal Performance for her single "Four Leaf Clover") artists, we all are caught under the spell of Abra Moore. She's seen the world based on her own force to create music, whether on the stages of Lilith Fair, the studios of Clive Davis or singing on the streets and cafes of France and Italy. With songs like, "After All These Years", "I Believe" and "Take Care of Me", you get a small sample of Moore's vast catalog of soon to be classics. I highly recommend finding a relaxing place to listen to Moore and allow her intrigue and charisma keep you in balance. I can't place my finger on it what exactly leaves me in pure wonderment over Moore but frankly, I don't care...some artists don't require pinpointing. Read her XXQs to find out more.
1. How and when did you first get interested in music?
I can't remember... exactly when-- I guess having my father singing Frank Sinatra tunes from the back seat as a young girl
2. What was it like the first time you stepped into a studio to record your own music?
Many emotions-- nervous, excited, inspired...
3. What can people expect from your latest release, On The Way?
Another Abra record, this time really mine! I suppose that means less production and more of me comes through
4. How is On The Way, different from your earlier releases?
It's closer to my first recording; more of the genuine original content comes through, I hope
5. Your song "Four Leaf Clover," ended up all over the airwaves and video channels (MTV, VH1), subsequently earning you a GRAMMY nomination in the Best Female Rock Vocal Performance category. What was it like to be part of the Grammys?
It was an honor, to be recognized by my peers from this musical community
6. You were singed on by legendary producer, Clive Davis and J Records and later decided to walk away when it stopped feeling right. Not a lot of people can say they would ever do that. Was following your intuition over money and big labels, hard?
I am forever grateful to people who want to support my creative expression
7. How have your friends and family reacted to all your success?
My family and friends have had nothing but support for my endeavors, and continue to be allies on my journey through this maze we call the music business.
8. Although born in California, your family moved to Hawaii when you were young. What was it like to grow up in Hawaii, versus California and did how did that influence you music?
Hawaii was and is a great place for a child to be raised -- you can't help but be creatively inspired by all the beauty around you
9. Was there a certain event or time in your life that you realized music was going to be your career?
Realizing I had to quit my day job because my music career was taking over-- I guess that was a sign...
10. What was it like to live in France and Italy for a year working as a musician singing American standards on the streets and in cafes?
Living in Europe definitely helped me to grow as a musician. Europeans seem to really appreciate American jazz. I loved all the travel, and especially meeting other street musicians.
11. How are the European fans different then the American?
I think a fan is a fan no matter where you are from....
12. What was it like to tour with The Lilith Fair, Matchbox 20, Barenaked Ladies and Collective Soul?
My favorite was touring with the Lilith Fair-- so much talent, so many inspiring artists like Emmylou Harris-- she is very special to me-- and Sarah and her entire band! Playing with Matchbox 20 and Barenaked Ladies, what a blast...
13. How is life on the road?
Road life (distinct from real life!) is one big adventure after another-- new cities, new faces, new food, etc...
14. What is something people would be surprised to hear about you?
That I groom dogs in my spare time-- and I love it!
15. When you get some down time, what can we find you doing?
Presently picking out windows and doors and fun things that go along with building a house!
16. What is the best part about playing live?
Connecting... making a connection with the listener
17. When you're live, anything can happen. Any crazy or embarrassing "live" stories?
When I'm about half dead from the road, and someone yells out "Freebird" and I say, "here's your free bird," and make the appropriate gesture.... that got me some attention!
18. Your songs have appeared in more than 25 films and television shows including Cruel Intentions, Sliding Doors (with Gwenyth Paltrow), Happy Texas, Party of Five, Dawson's Creek, Felicity and Melrose Place. As well song "Big Sky" was used in the super-hot video game The Sims. How did it feel to know that your songs were being used in those genres of entertainment?
I feel support and happy that people are enjoying my music, no matter what the venue.
19. What drives you to create music?
The same thing that drives anyone to create what their passion is, .. ceramics , teaching, painting, healing... the life force that pumps through my veins. Just so happens I express through music.
20. So, what is next for Abra Moore?
Hopefully I'll make another record that's captures my next step on my journey; that means getting a little closer to realizing my potential.
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June 26-27, 2007 Brett Dennen
Brett Dennen has a lot of fans. Not just the usual fans who buy the music and line up for sold out shows in every city, but most of his fans are the fellow established musicians. When I interview an artist for PensEyeView.com, regardless of the age or genre, I like to ask their opinion on "who is someone we should all watch out for now?" the resounding answer is Brett Dennen...Over and over, this is what people say and over and over I agree whole heartedly. Put aside that he is a musical prodigy or the fact that he's the kind of artist you want to throw every "the next" label to; Bob Dylan, Dave Matthews, John Mayer, Rufus Wainwright or James Taylor. Try not to focus on the fact that his lyrics are the most original storytelling similar to that of the Beatles and Doors. And whatever you do, try not to focus too hard on how and why you may not have known the name Brett Denned before today...that alone will drive you mad! The one thing you do need to focus on is that Brett Dennen has the widest array of lyrics out of any single artist today. This is just one of the reasons why his colleagues love him as much as we do. His latest release, So Much More is a favorite among iTunes, the indie crowd and easily fits into the artists he has already opened for like John Mayer, Dave Matthews and Sheryl Crow. It makes me smile just imagining the likes of the previous mentioned, watching Dennen and scratching their heads in awe, thinking that maybe they should be taking notes. I like to imagine that when the "headliners" he accompanied are tuning up, they spot in the corner of their eye a young guy, feet kicked up, head bobbing as he composes some of the most fantastic chords in music today. I also like to think they see a piece of music's future in Dennen as well, since it's guys like Dennen that can save and revitalize the shape of modern (and some would call lackluster) pop/rock music scene. To say that Dennen is the real deal is to say that Picasso knew a thing or two about painting. Similar an artist of Picasso's status, Dennen's craftsmanship is way ahead of his time, which hopefully, like Picasso will be received as a plus. Where everyone is battling it out for billboard dominance, Dennen is seems to be taking an alternate route to the top; a place where Dennen will remain for a very long time. Get ready to empty that iPod for a little refresher and check out his XXQs.
XXQs: Brett Dennen
How and when did you first get interested in music?
From going to the dentist and sitting in doctors offices. I thought, "making music can't be that hard."
Was there a certain time or event that you realized you wanted to make a living playing music?
Yes, about a year after college, I was broke as a joke, but didn't want to do anything else but play music.
How does it feel to be compared to, Rufus Wainwright, James Taylor and John Mayer (to name a few)?
I haven't heard that before. It is certainly an honor and it makes me feel good.
What was it like the first time you stepped into a studio to record your own music?
I was scared. I was practically whispering into the microphone, and my fingers shook. But I got over it. You have to get over it. It's a lot easier to play in a studio than play in front of a crowd.
What can people expect from your latest release, So Much More?
Sincere lyrics, warm tones, happy melodies. It's a good CD to listen to when you want to think about things.
How is So Much More, different from your first release of the self title album, Brett Dennen?
A lot better production and better players. But the sentiment is the same.
How has life on the road been for you so far?
It is pretty tiresome, you don't get a lot of private time, but at the same time it is exciting and inspiring.
You have traveled all over the world. Which city do you think offers the best environment for music?
I haven't traveled all over, but from my travels I would say that London is the best for the folkie balladeer in me.
Is there a certain atmosphere you surround yourself in when you write music?
I have to be alone, with nothing to do, plenty of time, and it is always best if it is raining, or there is a body of water near by.
What do all your friends and family think about your success?
They won't be impressed until there is an ice cream named after me.
If you could collaborate with one artist, alive or deceased, who would it be and why?
Bjork; No one sings like her. I would love to hear her voice with an acoustic guitar.
What helps fuel your drive to create music?
Things that I want to help the world change; War politics, the American government.
If I were to walk into your house right now, what is one thing I would be surprised to find?
I drink a lot of yerba mate, and have quite a collection of mate gourds and have a very large supply of Guyaki yerba mate.
When you are not working, what do you like to do?
Ride my bicycle, skateboard, fly fish, backpack, and yoga.
People can download your music from your website. What is your opinion on the heated debate over downloading music off line?
Go right ahead. There are still plenty of people who want to buy an album themselves, to have the artwork and the whole package. I think artists need to accept that it happens and not get so bent. Change is inevitable.
What can someone expect from a live Brett Dennen show?
Sing alongs, booty shakin', and a lot of love.
What is the best part about playing live?
Hearing people sing along with the songs.
When you're live, anything can happen. Any crazy or embarrassing "live" stories?
Once, in Cincinnati, I was sick as a dog, and I had to run off the stage in the middle of the set to puke in the alley. I finished the set alone, because the drums and bass were too loud and intensified my nausea.
What is one thing people would be surprised to hear about you?
I don't have a sense of smell.
So, what is next for Brett Dennen?
A little break, and then back out on the road for the rest of the year.
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June 28th & 29th, 2007...Kat Voegele.
On any given day, Kate Voegele (who seems destined for the cover of Seventeen, Vogue or Glamour) could walk down the street and have everyone turn their heads...that's a no brainer. But let's get one thing straight, Kate Voegele looks the part. We're talking her picture should appear in the dictionary, next to the word "star". Unlike Voegele's pop counter- parts, she has the look that all the labels try to mold someone into, however