Black Box Warning arrived onto the DC music scene in 2005 with one goal...World domination! Before that however, they are settling for sold out shows in every club they play. PensEyeView.com had a chance to sit down and chat with the boys of Black Box Warning for their XXQs, to hear all about their take on today's pop/rock music, their personal influences, plans for the band and oh yeah, world domination.
XXQs: Black Box Warning
PensEyeView (PEV) 1: How long have you guys been playing together and how did you start?
Black Box Warning (BBW): The band has been together for 1 1/2 years. Each one of us had been playing in popular local bands but felt like something was missing. We still hadn't found that perfect sound. Through networking, the internet, and dumb luck, we left our respective bands and happen to find one another.
PEV: People always want to know the meaning behind a band's name. You recently changed your name from Pinch Weasel to Black Box Warning, why?
BBW: Coming up with a band name is not that easy. It's even harder considering most of us barely made it through grade school. After tossing out such great names as "Astronaut Love Triangle" and "Half Past Nine", we realized that we all had major headaches. We immediately did what anyone would naturally do in the same situation...we turned to the bottle...in this case, a bottle of Valium. In minutes our headaches were gone, but unfortunately our bassist, Tom, became violently ill and broke out in a rash. As he later confessed, Tom was always a highly allergic young boy. Not knowing what to do, we checked the label on the bottle, and then it all became clear....Black Box Warning. This was great for the band, but unfortunately not for Tom, as he spent the next 12 hours in the emergency room.
PEV: What comes first, a catchy line and then match to music or vise verse?
BBW: Well, first comes love then marriage, and then, only then, is our music created. In most situations, I'll have an idea for a song, but no lyrics are written. These ideas keep circulating in the back of my head. They are brought to life once the music is written. The great thing about this band is that we are constantly writing songs and creating new ideas. In fact, we often get side tracked during practices because one of us will throw out a catchy new riff or idea. From there, the music is written. Depending on the feel of the song, the ideas for the lyrics resurface and are worked into a song.
PEV: What do you do when you come to a "brick wall" when writing?
BBW: We scale it. Actually, we haven't encountered many brick walls so far. When we do hit the occasional snag, we usually just steal the ideas from someone else. Either that or we listen to bad 80's metal hair-bands...somehow our stuff doesn't seem that bad in comparison.
PEV: What inspires a good song?
BBW: Hardship...the worse the experience, the better the song. When your girlfriend cheats on you with your brother, there's a good song. When it is with your sister, great song!
PEV: What is an average show day like for Black Box Warning?
BBW: There is never just an average show day for this band. We all love to play out live. We love to give the crowd a great show. The only people you will find not dancing or having a great time are those in the bar next to the one where we are playing.
PEV: Any crazy road stories?
BBW: What happens on the road, stays on the road.
PEV: What or where is your favorite place to play?
BBW: We loved playing a local place for us, called the Recher Theater, not only because it's a great venue, but they had free beer and food backstage. All other back stages we've encountered usually consist of a non-working toilet and a few folding chairs...and we never get the bowl of red M&M's we request. We also love playing outdoor festivals. We've played these festivals in both Baltimore and DC. The sound is great, the crowds are large, and the money is non-existent. These are great shows.
PEV: What bands or musicians influenced you?
BBW: We love listening to all bands and all music from all decades...is that politically correct enough? In reality, we try to make fun music, catchy music, the type of music that makes you want to turn up the volume when you're driving in your car with the windows down. We like bands like Green Day, Blink 182, Cartel, The Starting Line, and Simple Plan. In his day, Mozart was praised for his creation of music that was brilliantly simple. We are in many ways just like Mozart.
PEV: What is the best part about playing live?
BBW: It is much better than playing dead. Actually, we all love playing live. With all of our busy schedules, playing out live is always our top priority. Nothing beats the emotion of the crowd, the uncertainty of the performance, and the drink specials.
PEV: Ok, counter that, what's the worst part?
BBW: Stage diving...we lost many a good musician on failed attempts. Also, when playing out live, the volumes are louder, the crowd makes noise, and it can often times be difficult to make sure all levels are perfect and everyone is heard equally. There is a definite art to achieving that perfect live sound....and thank God we all got straight A's in art.
PEV: How did it feel the first time you stepped into a studio to record your own music?
BBW: We felt relieved...of most of our money that is. Although we had some idea of the costs, it certainly broke the band budget. In one sense, the recording studio is an ideal way to manufacture that perfect sound. It only took us 500 takes, but on take number 501, we nailed it.
PEV: If you had the chance to collaborate with anyone, living or passed, who would it be? Why?
BBW: Keith Richards naturally...because he's a little bit of both. I think some amazing song writers include Chris Martin, Tom Yorke, Bono from U2, and of course the greatest songwriter of our generation, Dennis DeYoung from Styx.
PEV: What can we find the band doing on days when they are not practicing or playing shows?
BBW: Unfortunately for now we all have day jobs, outside of music, anywhere from a doctor to a restaurant manager. That takes up a lot of our time. Besides that we like to watch girls who ride horses!
PEV: Finish this sentence, "My most embarrassing live experience was...."
BBW: When the rest of the band forgot to show up.
PEV: In your opinion, who is the greatest song writer today?
BBW: It's hard to answer questions like that. Perhaps the greatest songwriters are those who have yet to be discovered. Each song holds a different meaning to each person. The greatest song will be the one that touches you the most. This is in direct contrast to the greatest relative, who you hope touches you the least.
PEV: You get to play on Saturday Night Live, who is your "dream" host?
BBW: Jack Nicholson...I mean come on, it's Jack.
PEV: Downloading music for free has become a heated debate. What is your take on the whole issue of downloading music for free?
BBW: We're all for it, and to show our support, we do it every day.
PEV: Black Box Warning is Washington, DC based, what is the best or most unique thing about the DC music scene?
BBW: The mysterious puddles outside of clubs, the constant kidnapping of band members by The Others, and of course the fans. DC fans are intelligent, cultured, and very dedicated to live music. And despite all of that, they keep coming to our shows and we love them for it!
PEV: So, what's next for Black Box Warning?
BBW: World domination...or a national tour.
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April 3-4, 2007: Sam Friedlander
Sam Friedlander was inspired after an accident that would have had most kids grounded (trust me, it's pretty funny but I'll let him explain in his XXQs). Years later that inspiration led him to create the award winning short film "Lucid". From there he directed the one million plus YouTube viewed comedy, "Lazy Monday", which helped open even more doors he refuses to let close. He now runs his own production company, while he continues to draw more and more attention at film festivals across the country. I had an opportunity to hear all about Sam's plans for the future and his take on the film industry today. Get used to hearing the name Sam Friedlander.
XXQs: Sam Friedlander
PensEyeView (PEV): How and when did you first decide you wanted to become a screenwriter and director?
Sam Friedlander (SF): I always loved playing with my parents' video cameras when I was a kid. First a Super-8, then one of those big VHS camcorders from the 80s. Which, by the way, don't balance that well on top of 10 shoeboxes. I found this out when I didn't have a tripod, and tried stacking shoeboxes to make up for it, putting the camera on top of the stack. Within a minute, the camera fell about 8 feet onto the ground and broke, a couple of months after my parents got it. The best part was that when the repair place sent it back, they had taken the tape out and included it, so you could watch the fall from the camera's viewpoint. It was great. Anyway... So yeah, I made movies as a kid, and all through high school. It was usually to substitute taking a test or writing a paper, but I loved doing it, and was pretty good, so I kept making them. Then in college, I got more serious about them and my senior year I shot a short film as an independent study Ð again, to replace regular coursework. I sort of realized at this point that I always had fun making movies, and if I could do it and make a living, it would be a really good substitute for "regular work". That was the when and the how; during college, and because I had so much fun doing it.
PEV: Did growing up in New York have an influence on you?
SF: I loved growing up in the suburbs of NYC. I wouldn't trade it for anything. It was so great to be in a suburban setting, with grass, trees, and quiet surroundings, but also to be a 22 minute train ride from the most exciting city on earth. I think it was a nice balance to have.
PEV: You graduated from Vanderbilt University in 2000 and then attended University of Southern California film school. I can imagine the [scene] in Nashville and Los Angeles is pretty different?
SF: Not as different as you'd think. I actually compare the two cities a lot. Nashville feels like a much smaller Los Angeles, and instead of the scene being centered around film, it's centered around music. Which is my other love. So it was a great place to go to school. Nashville feels like small town sometimes, but it's about a million people. And it's got a football team, which L.A. doesn't.
PEV: What is it like for a young screenwriter/director in LA?
SF: It's really fun until someone asks you what you do, and all you have to your name is a short film or two. When I go home, or visit my grandparents in Iowa, or go to any other city for that matter, if I say I am trying to "be a director", everyone has questions and is really interested. In L.A., its kind of conversation ender. You always want to talk yourself up a little, if you have a project going on, but you don't want to be that asshole at dinner that keeps overstating his importance in the industry. One of my first weeks out in California, this guy came out with us who was a friend of a friend. He kept talking himself up all night, saying "I'm a producer", and "I'm one of the lucky ones Ð 3 months in L.A. and I am producing." I was intimidated. I found out later he was like a PA on some Canadian deer reproduction documentary, and it was pretty funny. I found out how many people talk a big game. I've never seen that dude again, or seen anything he's done.
PEV: When was the moment that you realized, this is for me?
SF: My second semester of senior year of college. It was on the drive home from the first day on shooting my independent study film. I had been on set for 15 hours, I was tired, and my car was overflowing with equipment, food, and film cans. And I was just thinking about the day and how much fun I had, and I realized then that if I could do that all the time, I would be a very happy person.
PEV: Explain your writing method. Are you a night owl? Morning person? Lock yourself in a room for 48 hours?
SF: My writing method is to procrastinate until I can't anymore, and then crank it out. I work best under pressure. I let ideas marinate in my brain until I have to put them on paper, and by then, they are usually a little more focused. In general, I am a night person, but I rarely get any writing done at night. Usually, I have to isolate myself from all distractions. Depending on the project, sometimes I write first, sometimes I outline first, and sometimes I do it at the same time.
PEV: What do you do when you hit the [wall] and can't put your words on paper?
SF: Play on the internet. Play guitar. Walk my dog.
PEV: Do you find yourself constantly jotting down notes, thoughts or lines throughout the day?
SF: Sometimes. I definitely have done it before. I am usually not "jotting" though. I am a gadget obsessed guy. I pull out my Treo and email stuff to myself. If something's in my email inbox, I will remember to follow up on it.
PEV: Describe how you felt when you won your first award?
SF: I didn't know I was eligible when I won the award for Best Screenplay at the Beverly Hills Film Festival. It was an overall screenplay award, so I just figured it was only for features. So when I heard them say my name, I was more surprised than anything else. I thought it was an error, and I was already thinking ahead to how awkward it was going to be to have to give it back later. That's what was going through my head.
PEV: Your award winning short film, Lucid has brought you many of those awards, how did that film come about?
SF: 'Lucid' was an idea I had for a feature film and I was in the process of outlining it during my last year at USC. When it came time to write my thesis short film, I decided to condense the story into a short and use that as my story. I wrote the short script for about 3-4 months. After the script was written, I was able to put together a great cast and crew, and a couple of months later we were done shooting. Post took about a year, because I was finishing class work at USC and a few other projects. It premiered on the film festival circuit about a year ago (March, 2006) and has been showing on the festival circuit ever since.
PEV: The YouTube favorite, Lazy Monday, which you directed, is a huge success (over a million views on YouTube). Explain what went through your head when you saw it on stations like VH1, Bravo, CNN and in New York Newsday and the Wall Street Journal?
SF: We posted the video right before Adam and I went to Sundance, so we were on the phone with Mark (our other collaborator), checking emails and views the whole time we were there. When we got back the week after, we got calls from CNN, Vh1, Bravo, etc. It was really exciting. Some people sent us hate-mail too. That was fun. I will say, for the record, that there have been tons of "response" videos to 'Lazy Sunday' -- and the one that came after ours was great too ('Lazy Muncie') -- but after that, the quality pretty much dropped off. I don't want to overstate our case, but we created one of the first successful response videos, and I am proud of that. From the exposure of that web video, we signed at UTA's online division and we just finished shooting a pilot for a scripted web comedy series a few days ago.
PEV: Any response from Chris Parnell and Andy Samberg?
SF: No direct response. We heard from backchannels that they had seen it a week or so after we posted and that was good enough for us. We were psyched they watched it. Theirs was unbeatable, in my eyes, and so we were just happy to offer up something that also amused people and got seen a lot.
PEV: YouTube has received its fair share of criticism but also gives a unique outlet for people. What is your take on the YouTube craze?
SF: YouTube is awesome. I love it for its place as an outlet for anyone to distribute their videos worldwide. That has its downside, of course, because there is just so much crap on there. But I also love being able to go online after I miss something on TV and see it over and over.
PEV: What is a normal day for you?
SF: One of the reasons I wanted to do film work was the lack of a normal schedule. I hate having the same work routine. I did an internship in development and it was really educational, but at the end of the day (literally and figuratively), I could not stand being in an office. So my days totally vary - there's no "normal" day. Sometimes I am doing meetings, pitches, and writing. Sometimes a day will just be a ton of calls and emails. Then if I am shooting something, it becomes full days of pre-production, etc. I love never knowing what a day will be like.
PEV: When you are not working, what do you like to do?
SF: I love to watch stuff on my TIVO. I love to play guitar and record stuff in Garage Band. I love to play on Google. I like to play basketball at the park near my house. I love to play with my dog Max.
PEV: How is running your own production company; SUPDAWG PRODUCTIONS, different from working for a production company?
SF: If you want to stay creative, it's a lot harder when you work for someone else's company. I actually formed two partnerships to work on projects. One is Supdawg Productions, with my friends Adam and Mark. The other is going known films, with my friend Matt. And quite often, those two partnership overlap. There is no difference really, in having a company banner, and just working independently. The term production company is thrown around a lot out here in L.A., and it really means nothing unless you have credits to go along with it. For me, forming partnerships was really just a way to say Ð hey, we like working together, let's file the forms so we can legally call ourselves "_____ Productions" and do business together. Matt is a lawyer, so I found out that without filing some papers, it's not legal to run around adding "productions" to whatever name you and your friends come up with. So yeah, the partnerships are really a formality so that we can conduct business in a legal and professional manner. We don't have offices or anything; that will be the day.
PEV: Any hard times dealing with the "celebrity personality"?
SF: None at all. I've embarrassed myself a few times, but that's about all.
PEV: How is writing for television and writing for film different?
SF: I can answer a different question. Writing for web (which I am doing now) and writing for film. I have written short films that have been made and a couple of feature screenplays which have yet to be produced. And I have written stuff for the web that has been made. In writing, the only real difference is length. Right now, anything over 5-7 minutes is useless on the web. People say they are doing 20 or 30 minute webisodes. That's a joke. I don't know anyone that will watch 30 minutes of the same video on a computer screen in one sitting. Also, when directing for web, you have to remember that people are watching it on a 3 or 4 inch window usually, so you've got to limit your wide shots and get in more close-ups. Basic, but important.
PEV: If you could work with one actor/actress, living or deceased, who would it be? Why?
SF: Hmm. If you mean, big movie star, I might say Jim Carrey right now. I love the fact that he switches from dramas to comedies with such ease, and is awesome in all of them. Anyone who can be in 'Dumb and Dumber', and then turn around and be in 'The Truman Show' and 'Eternal Sunshine', and execute all so well is amazing. Will Ferrell can also do that. I'd also love to work with Ryan Gosling. He was so good in 'Half Nelson'. This is a really hard question.
PEV: So, what is next for Sam Friedlander?
SF: As I mentioned before, I just finished shooting a pilot for a scripted web comedy series called "Phil Blanks". If that gets picked up for series, I will be making those episodes the rest of the year. It's a really fun interactive concept, where the audience helps write the script each week, and then we go out and produce it. We wanted something that captured the best elements of the web -- short content and interactivity. Besides that, I will be continuing to write and get a few feature film projects going. Hopefully 'Lucid' the feature will be my first big directing job.
To find out more about Sam Friedlander and his work, check out these sites:
www.myspace.com/samfriedlander
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April 5th and 6th, 2007: The Fresh
The Fresh...Here to freshen up the world!PensEyeView.com recently had a chance to chat with John Fulton from the band, The Fresh. We got a chance to hear exactly how Will Farrell influences a band, why the ladies dig a guy in tight pants and most importantly we found out that The Fresh could very well be one of the funniest and most entertaining bands in America.
PensEyeView.com (PEV): How and when did The Fresh form as a band?
The Fresh- John Fulton (JF): The Fresh was created by John Fulton and Kurt Morgan in late 2003 and the first show was Jan 16,2004 with Kurt on bass and John on guitar. Kurt and John had been working together for a couple years and felt that The Fresh was the best outlet for a comedy/music outlet.
PEV: What's your take on the music scene like in LA?
JF: There's two main scenes...the pay to play sunset strip scene and the open mic singer/songwriter scene, we took the latter route. LA is so spread out, it can be tough to get people to show up, so we are careful on where we play and how often.
PEV: How is playing on the west coast different from the east coast?
JF: East coasters want to dance more because they don't care as much about looking cool. Somebody has to tell people from LA that big glasses aren't that hip.
PEV: When you write songs, how does the collaboration process work?
JF: John and Jack write most of the material. Sometimes one of them will finish a song alone, in other cases like MySpace, Jack and John feed off each other to find the best melodic path.
PEV: I'm almost afraid to ask...can you elaborate on, as you put it (on your website www.thefresh.com) writing about, "...ex-girlfriends, crazy coworkers, hot moms, celebrity gossip and internet jokes your parents don't get".
JF: A lot of our songs are about pop culture and topics that usually off limits to most bands. The Fresh is a great outlet to discuss topics like ex-girlfriends and some guy's hot mom, cause every man has been there and it's nice to hear a band sing about it.
PEV: What do you do to prepare for writing music?
JF: We read a lot of papers, trades, websites and keep our eyes and ears open.
PEV: Do you tend to match words to the music first?
JF: Really whatever comes first. We knew we had to write a song about MySpace so our topic was there. In a song like Two Buck Chuck, I had a melody that it fit into...we got lucky! It works all different ways.
PEV: How would you describe your music style?
JF: Our music is melody driven comedy rock. It's also eclectic. We want you to laugh but if you don't, we want you to enjoy the music. If you still don't, you probably didn't pay that much to get in the club anyway!
PEV: What is an average show day like for The Fresh?
JF: An average day is practicing before the show and just being loose. Did I mention too much time on MySpace? That happens too.
PEV: Any crazy road stories?
JF: We had a stripper start getting "serious" while we played C---blocking. There was a stripper pole and with that song...well you can imagine the rest.
PEV: What's one thing you want the fans to get out of a live Fresh show?
JF: We want the fans to go home with stories...A story about how Kurt went crazy in a bass solo or how Jack was making fun of an audience member or how The Beatness reminds them of another person. We want them to relate on what we're singing/saying.
PEV: What's the best part about playing live?
JF: The best part of playing live is I get to wear my tight pants and show off my giant package. It's also to feel the energy. Playing live is the celebration to our practicing. When the numbers are good, I know our hard work paid off. It's really a release.
PEV: What or where is your favorite place to play?
JF: Our fav. place to play is Hotel Cafe in Hollywood. The crowd hears all the words and we hear the crowd. It's perfect for the maximum fresh experience!
PEV: Who were some of your influences?
JF: My influences personally are combined from music and comedy...Ben Folds, Zappa, Trey, Jerry, Will Farrell, Steely Dan, Bukowski, Coltrane. I let everyone influence me, musician, comedian, writers...anyone that brings it!
PEV: If you had the chance to collaborate with anyone, living or deceased, who would it be? Why?
JF: I would want to collaborate with Ben folds living and Jim Morrison dead. Jim never played an instrument, so he could sing the song, I'll play it on guitar, then I would steal the song from him. The plan is perfect!
PEV: How did it feel the first time you stepped into a studio to record your own music?
JF: The first time was scary cause we didn't know what we were doing and the music I was writing really wasn't that good. $2,000 later we had a CD that sold about 100 albums. Let's hope the fresh does a little better.
PEV: You obviously offer your songs on your website, but what's your opinion on downloading music for free?
JF: I never steal music unless...it's a traditional. I have a gig where I have to play God Bless America this weekend. I won't be paying for that but everything else I will. The Fresh offer MySpace for free cause we just want people to hear it.
PEV: You have some very unique artwork for the flyers you've used to promote shows, care to share?
JF: We've been lucky with our artists and the Fresh lets an artist really go off cause of the content that originates. My two favorite artists have been Dan Didsbury and Kurt's brother Ken Morgan. Wackier the better! We're stepping it up next month and introducing video flyers...get ready!
PEV: Finish this sentence, "My most embarrassing moment in this band was when..."
JF: ...I completely forgot a song. It was when the fresh was just me. I wrote it two days before and bombed...I mean bombed like the Iraq war, like the 1978 star wars ABC Special. Then after I bombed, I had to stay on stage and be the musical director for the show...brutal.
PEV: So, what's next for The Fresh?
JF: More material...that's always first. We're completing our EP and we will tour and make more music. As long as pop culture is alive, so is The Fresh To see more about The Fresh, check out these sites:
The Fresh.com
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April 7th and 8th, 2007: Ian Duda
Ian Duda of Gung Ho FitnessPensEyeView.com immediately thought of Ian Duda as a unique feature for our site. He's a former U.S. Marine, has a great personality, a huge following of clients and a new form of outdoor fitness camps, called Gung Ho Fitness that is shaping up America. Ian thought it would be a good idea to "visit" one of the camps...sure, I'll take pictures. That isn't quite how it went. Ian thought it would be a good idea if I actually took one of the camps...sure, it'll be fun...for him! Five minutes in, I realized I was way over my head. He had exercises I have never seen or heard of. I pulled a tire attached to twenty yards of rope, ran like my life depended on it (more then once, I thought it did), used "kettle bells" (never heard of them), carried forty pound ammo cans (never heard of those either) and performed exercises like "Renegade Rows", "Blurpies", "Dead-Man Drops" (I found that one suitable) and had enough sweat dripping off my body, you would have thought I just went swimming fully dressed.
"Ok, that's the first set," he tells me.
The rest was a blur. However, I went back, again and again. I have played sports my whole life, but never worked this hard. He is determined to make you sweat, work and most of all get into shape. Is there a book in his future or even a television show? Maybe. There should be. Read his XXQs to find out more about Gung Ho Fitness and how you will be hearing a lot more about Ian Duda.
XXQs: Ian Duda
PensEyeView.com (PEV): How did you first get interested in Fitness?
Ian Duda (ID): I believe I'd have to go back to when I was in fifth grade. My mom had moved my sister and I from Maryland to North Carolina. I knew no one, it was a new town, my mom worked a lot to support us, and I stayed inside most of the day. I started gaining weight and my mother noticed quickly. One weekend she challenged me to a race from one end of the trailer park to the other, and she said, "if she beat me that I would have to start exercising." Well, let me tell you she beat me by a mile. Needless to say I started exercising with her and she made me go out for little league baseball, just to keep me active. From that point on I stayed pretty active and my competitive nature started to grow. I never was a really big kid and having the last name that I have, I got picked on quite often. My football coach would let a few of us skip are study hall classes to stay in the gym for an extra hour each day. During my junior and senior years in high school I really started to get into weight training. I started gaining weight and got pretty strong for my size. The size and strength gave me great confidence and I started to stand out a little bit more and got picked on less. It wasn't until I was in the Marine Corps that I decided to use my GI bill to go to college and pursue an education in Exercise Physiology. All those events have led me to where I am today.
PEV: What is your philosophy on fitness?
ID: I'd have to say consistency. Consistency is the key to any workout program and /or healthy lifestyle. Remember the old saying practice makes perfect. If you want to be healthy, lose weight, or whatever you goal is, you have to be consistent.
PEV: You were in the marines, how has your military background helped shape your philosophy on fitness?
ID: The Marines gave me the never quit attitude and the discipline needed to succeed. They embody you with that persona and that through my personality I project onto others. If you ask anyone that has ever worked out with me, they will tell you that I'm not a in your face hard a$$ but I do expect your best, and that, sometimes comes out as intimidation factor. People involved in my programs have a sense that they need to push themselves harder because they know I'm watching, and they don't want to let me down.
PEV: What are the main steps in writing a fitness plan for someone?
ID: Not in any particular order: You talk to the individual about there goals, health history, any injuries that would prohibit them from completing any exercises, how much time they want to dedicate to there program, how many days a week they plan on working out and you go over there diet. Then we go and perform some functional exercises to see what they can do. That way I have an understanding of what areas need the most work and see what loading parameters we can work with.
PEV: When you put the pen to paper, are you drawing up exercise? Writing them down? Mapping out courses? Explain.
ID: When I plan any exercise routine, I usually write everything down in advance. Writing everything down allows the workout to take shape. It's easier to make adjustments once you have everything down and see how the workout is going to turn out. Not every workout goes as planned. So having a plan on paper helps when adjustments need to be made.
PEV: You opened your own company called "Gung Ho Fitness". Why did you decide to use "Gung Ho"?
ID: The term Gung Ho was originally "kung go" adopted by the Marines from the Chinese in 1942. The Marines adopted it and pronounced it Gung Ho meaning Ôspirit of teamwork'-overzealous or enthusiastic. Now it's used through out the military as a motivational phase. Being from the Marines and wanting my outdoor fitness program to embody teamwork and an enthusiastic approach I choose Gung Ho Fitness. I want everyone that partakes in my classes to feel like they our apart of a team or family and that exercise can be fun and enthusiastic.
PEV: Does EVERY trainer love when a person is working out so hard they can't even stand?
ID: I can't speak for every trainer, but I do like my clients to work hard. You have to come out of your comfort zone once and a while in order to see results. If that particular client is so exhausted that he/she can't stand. My answer would be keep training at that intensity level and your body will adapt and you'll thank me later.
PEV: What is the most frustrating aspect of writing fitness plans for people?
ID: The writing part I love. It's when you spend countless hours working with someone and then they never show up to do the workouts. If you really want something, there are no excuses.
PEV: What is the most rewarding part of your job?
ID: I love when someone consistently stays with his or her program and then start seeing results. When a client starts seeing the benefits of all the hard work they have endured.
PEV: What's your take on all the reality shows now based on physical fitness?
ID: I like the fact that they are finally showing the American people that we need more education and that our society as a whole needs lots of help. Hopefully the people at home can learn something from the programs and then apply it to themselves in their daily lifestyles. Everyone watching will not have the all the resources or the time that the people at these farms have to exercise, but they can apply the principles to their daily lifestyles.
PEV: Celebrities have been known to shed pounds in a day, which makes the average person feel like they can to. Explain this myth for us.
ID: I'm not a big fan of the so-called "Hollywood Diets". For one, most of the methods they use are very drastic, and unhealthy. It's a quick "lypo" before the red carpet or six months 3 hours a day for my next movie, and then after the film, its back to the clubs, late nights and eating at McDonalds just like before or until they get another role in a film. Like I said before, it takes consistency, hard work, and dedication to maintain a healthy lifestyle. It's not easy and there is no magic pill. You have to find out what works for you. What LL Cool J did to get ready for his last movie is not going to work for someone else necessarily.
PEV: But they make it look so easy.
ID: They also have millions of dollars to spend on a personal trainer 5-6 days a week, an in house chef to cook their meals and the extra time and cash to do the nips and tucks. The average person doesn't have all the amenities or the time to do everything.
PEV: In your opinion, what athlete/celebrity has what you would call the "perfect body"?
ID: Back in the day Arnold was the man with it all. Now. Don't laugh but I'm going to justify this a little before I say his name. I look at who was in shape before they got famous and is still in shape today. I look at Mark Wahlberg I just saw "Invincible" and he is in his mid 30's and still has a good work ethic. For the ladies I'd have to say it's a toss up between Jennifer Garner and Jessica Biel.
PEV: What do you do when you feel like what you have written for a person just isn't working? Do you go back to the drawing board? Throw in the towel?
ID: Never throw in the towel. Workouts need to be changed every 6-8 weeks anyway, so usually some minor tweak is all you need. Plus 99% of the time the client isn't being consistent in some aspect of the workout or the diet for it not to work.
PEV: How much does the mental part play into keeping a person healthy?
ID: It's the most important part. The mental aspect of your health is everything. It tells you when to eat, what to eat, how much to eat, do I workout, how hard, how intense; do I try another rep, do I run another mile. If you are not mental ready to be healthy then trying to be healthy just will not work.
PEV: Going to the gym for the first time can be intimidating. What do you say to someone who has to face all those gym rats?
ID: Come out to my fitness camps!!!! No Gym Rats at the fitness camps. (Laugh) Really you have to shop around for a place (gym) that you will feel comfortable in. Some gyms cater to first timers or those that feel intimidated. Curves, YMCA, Camps like mine and others that are just for women or just for men come to mind.
PEV: Which magazine or site do you think has the best writing on health and fitness?
ID: For women I like "Her Athlete" it's still a small magazine and doesn't have a lot of fluff. The internet has grown so much that there are tons of good sites. A couple that I enjoy: SportSpecific.com, PersonalTrainerU.com, and anything you can find on Alwyn Cosgrove.
PEV: How many times have you heard, "I am going the beach this weekend, I need to lose 10 lbs...hook me up".
ID: To may times to count. Most of the time this comes from someone that looks good already and is self-conscious about themselves, I just try to reiterate that they look good and that they will be among friends and just have a good time. Next time come see me earlier.
PEV: What are the hardest thing people have a problem with giving up to get healthy?
ID: Food!!!! It's usually a toss up between something sweet and/or something salty.
PEV: What's next for Ian Duda and Gung Ho Fitness?
ID: Come out and have fun with a great group of people and get in shape at the same time Gung Ho Style!
For more information on Ian Duda check out his MySpace page www.myspace.com/gunghofitness
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April 9-10, 2007: Tyler Ramsey
Tyler RamseyWhen PensEyeView.com came across Tyler Ramsey, there was an instant connection. Ramsey embodies everything positive about abstract art. He is passionate, imaginative, dedicated, could care less about "fitting in", deeply spiritual and most importantly...original. He paints with his hands (who needs brushes anyway?). When I say he paints with his hands, I mean he doesn't even touch a brush. His finger tips dot intricate points, and sharp lines, while his hands and arms shove the bold colors furiously across the canvas. His paint can be so thick and textured his oil works can take a year to dry.
Life for Tyler Ramsey hasn't been easy but he has overcome many odds to claim his place among the elite abstract artists in today's art world. You can see his work in galleries and in fashion. His story is compelling and his work is mind-boggling. Read below, he explains it best.
XXQs: Tyler Ramsey
PensEyeView.com (PEV): How/when did you first get involved in art?
Tyler Ramsey (TR): My father and uncles were all very creative. My Uncle Bart was great at telling stories. Great imaginations. He always made everything up on the spot. He would let my brothers and I choose the characters we wanted. I generally chose a variety of dragons. Anyway, my father would do something similar but with drawings. He could draw anything we wanted...a dog, no, a dog with wings, no, a dog with wings made of fire and laser eyes... My dad would draw characters as we told a story together. My dad gave me an appreciation for art at an early age by showing me how to create a world from your imagination. Over the years, my imagination has been a great friend; it's a great place to disappear and hide from the world. My grandparents live in the coolest suburb in America called Winnetka, IL. My grandfather's name is Leonidas Ramsey, but we call him Buck. He's a painter. The family money came from some odd business, like glass display cases, but paintings were everywhere at his house. He had a studio and everything. One time he broke down this wild abstract piece of his for me and explained why it was a painting of his experience in the Navy during WWII. I loved it. I thought he was crazy for a minute and then everything revealed itself. It felt like magic. That day, I loved art for the first time.
PEV: A lot of artists have the "aha!" moment, where they know this is for them. What was yours?
TR: I had an "aha!" moment some time just before 2000. I call it, "The day on the roof." I think we all know people who continually say they are going to do something and don't ever follow through. I had an epiphany shortly after moving to Los Angeles; I decided I wanted to be a painter. Well, I found myself doing a lot more talking than painting. I certainly felt like the greatest painter of my generation except for the fact that I didn't really paint anything. For some reason, I found myself exposed to a series of artists in situations ranging from Hollywood pool parties to shady lofts in San Francisco. I was driving around Los Angeles in my beat up T-Bird, and I decided to just go for it. I drove directly to the nearest art store and bought several canvases--the largest was about 4ftX4ft. Always Go Big! That was the largest size I could fit in my car; I've since bought a Dodge Truck. I started to get bummed out thinking about brushes and cleaning them. So, I thought, "Screw brushes". They're messy and make me feel cluttered. No brushes. I decided to simply use my hands. I was developing a painting technique that was unique to me. I also bought several containers of paint, but I made a mistake and purchased acrylic paint meant for ceramics. Well, I didn't know the difference back then and it wouldn't have mattered anyway. I grabbed the canvas and the paint and carried them to the roof of my apartment building. I had my girlfriend's dog too. I was giving myself one chance to create something that felt right. One chance only. I began applying the paint with my hands. I loved it. The world disappeared. I used the bottled paint containers and sprayed them on the canvas. I threw paint. I smeared it. I created something I still love today. Best of all, I felt I had taken a giant step forward.
PEV: Explain your creation process. Do you sketch things our first? Go right to the canvas?
TR: I generally carry ideas around in my head all the time for paintings. I will never have enough time to get to it all. Sketching is great, and I find myself sketching images throughout the day and sometimes those images become paintings, but I try not to rely on sketches or photos when I paint. I would rather waste gallons of paint and money on a painting than spend my time fussing with pencils. I make plenty of mistakes as I paint but I always paint over them, and I'm not afraid to waste gallons of paint to get my vision right. I accomplish what I want on the canvas. Sketching is great and important but I prefer to work through my ideas with handfuls of paint. I appreciate great volumes of texture, and I love looking at my work to see the process underneath; the texture becomes a journal of the piece.
PEV: What is the art scene like in LA?
TR: I have no concept of the art scene in Los Angeles. I have only been to a handful of art shows and know very few artists. Some of my biggest supporters are leaders within the art community, and I realize I need the support from those who champion the arts, but I still try to keep a distance from the art scene. My work is unique and I am guarded against allowing myself to be influenced by the commerce or trends of the industry. I am extremely competitive and want to keep my competitive nature from influencing my work as long as possible. For me, painting is about expressing the battle within myself and using that to make an impact in the world. I want to keep it from becoming my battle against the world.
PEV: Which city, outside of the US, has the best environment for artists?
TR: Rio is my favorite city in the world. I cannot imagine a more inspiring spot on Earth. I met an artist there and his girlfriend was smoking hot. That's probably a good sign.
PEV: What is your preferred medium to work with?
TR: Right now, I love Golden Liquid Acrylics. Son of a Bitch, that stuff is fun.
PEV: What do you say to the people that don't "get" abstract art?
TR: I tell people who do not get abstract art to enjoy photography. In all seriousness, I respect anyone who values form and technique. If that means they do not appreciate what I do, then I have no problem with their opinion. I'm not about to take a bunch of lip from some jerk, but I welcome anyone with passion to challenge anything they want. I could care less about Faberge' eggs but I think it kicks Ass if some expert is doing his damndest to show the world how great they are.
PEV: You hear all the time that public schools are cutting funding for art classes. How does that make you feel?
TR: I don't pretend to understand public school budgets. I know one thing, they are usually too small. Reading and writing are pretty damn important, and I sure as hell wouldn't throw math out the door. Kids need those skills to survive. I am determined to make an impact in the world by getting people excited about painting. I feel it is an artist's responsibility to get other excited about their craft. There are so many art forms, and I feel an artist becomes truly successful when they "recruit" young creative minds to get involved in their specific passion. Right now, the incentive is vague for what it means to become a great painter. Everyone knows what it means to succeed as a musician. They don't need to teach rap classes in school, because the kids who care will teach themselves. Right now, a kid doesn't really have an incentive to become a painter. I want to change that.
PEV: What is your advice for kids who want to get involved in art?
TR: I would tell kids who want to get involved in art to begin expressing themselves any way they can. It's pretty simple really; figure out what you like and learn how to do it. You will need an imagination, but if you enjoy doing it, you'll probably become good one day. Fortunately in the United States, knowledge is available to everyone and most anything can be learned. Artists love to talk about their work and probably have driven everyone around them crazy by doing so. We love new audiences. Kids shouldn't have too much trouble finding a mentor.
PEV: If you could sit down for dinner with one artist, alive or deceased, who would it be? Why?
TR: I have been trying to meet with an artist I respect named Trek Thunder Kelly. He's killer. We have extremely different styles, but I love that he lives big. He spent a year wearing nothing but blue once and another year wearing tuxedos 100% of the time. He ran for Governor of California. More than anything, I love that he is bringing attention to art. I would also love to sit down with Andy Warhol, but I'm not sure I would want to spend the entire dinner with him; he seems a bit creepy. The dude was a genius and I love everything he did for art. My goal is to build my own version of the Silver Factory and create an atmosphere where I can bring friends over to enjoy themselves while I am working.
PEV: What is one thing people would be surprised to hear about Tyler Ramsey?
TR: I once turned myself into the cops once in Santa Barbara? I backed down from fighting Sid Siler in high school? I go to Bible Study each week? I beat the foreign exchange genius in my College Business Statistics class on the final exam and all the other kids? I am related to Alexander Hamilton, Ulysses S. Grant, and my cousin is a Count in Italy and England? I am a member of the Mayflower Club? I don't know what would surprise people. I like to think I have created a pattern of surprising behavior.
PEV: What do you do when you hit that "brick wall" and feel like a painting isn't working right?
TR: I rarely hit a wall and do not relate to "Artist Block." I have more ideas and plans than time in this world. I do find myself looking at old paintings and suddenly hating them. I'll try to fix them, but I have found that I can't force them. When I get frustrated, I bully things. I find myself using sick amounts of paint and treating the old canvas like a dead body that needs to be buried beneath worlds of paint.
PEV: How did feel the first time you walked into a gallery and saw your paintings displayed?
TR: The first time I saw my stuff in a gallery, which was actually a coffee shop, I thought "Victory." I love the smell of Coffee in the morning.
PEV: What was it like when you realized that you can make a living off doing what you love?
TR: The first time I sold a painting I wanted to cry. I sold 3 painting to a family I love recently, and that was the most rewarding day of my career as an artist. I think of my paintings as puppies and I will be damned if I let them go to a bad home. Some of my favorite pieces are surrounded by Picassos and CŽzannes. Getting money for my work is exciting but I enjoy making a connection with people much more than that.
PEV: What is a normal day like for Tyler Ramsey?
TR: I generally go crazy several times a day and go to sleep exhausted. I also seem to lose my credit card, wallet, and keys a lot. That keeps me busy.
PEV: A lot of artists listen to music when they work. Do you?
TR: I love music. Sometimes I make the mistake of listening to music channels on cable. I have had an ongoing problem with this; my cable switches to a default channel after a few hours. I generally paint late at night and somehow wind up listening to infomercials. It takes a while before I realize I'm under attack by juice wizards, acne ads, and money schemes. My New Years resolution was to keep this from happening. So far so good. Right now, I enjoy listening to Badly Drawn Boy and have always loved Pete Yorn's first album.
PEV: If I just walked off the street and into your studio, what would I see?
TR: You would see paint everywhere, from floor to ceiling...everywhere. Even my refrigerator is filled with paint and art books. No food. My studio is my home. I bought a condo with a perfect outdoor space for painting...greatest decision I ever made. I typically have at least 2 paintings drying outside at all times. I also design a line of shoes for a company called Toms Shoes (Tomshsoes.com). Hand painted shoes litter my place and make it difficult to walk around.
PEV: What do you do when you are not working?
TR: I'm a member of a gun club somewhere off the 170. I love shooting shotguns. I travel a ton. I have would have filled up my passport several times by now but I lose them often. India is insane; Tijuana is more insane. My family is developing property in Nicaragua; I hope to spend more time there.
PEV: Is there one theme or aspect behind your work you find yourself always looking to?
TR: My work expresses pain and love. I think of this as an ongoing battle. Each painting is a map of the battles I choose to paint. My biggest motivation is my father, Tyler Capen Ramsey. I am a Jr. He shot himself in the head when I was a kid and lived through the experience; obviously, with physical repercussions. He was and is the most amazing guy around, but I always feel as if I have big things to accomplish for both of us. His brother shot himself a few years later. The pattern scares me, but it also fuels my work.
PEV: So, what is next for Tyler Ramsey?
TR: Tyler Ramsey just returned from Fiji, after living there for 2 months. Killer trip...inspiring. The trip will influence everything he works on from this time forward. Tyler Ramsey is planning his next show, ideally opening sometime in late May. He enjoys speaking about himself in the third person and looks forward to presenting his new collection, called, "Timebomb." The Timebomb series is a map of what I call, "My Battle." I also am working on a line of clothes.
For more information on Tyler Ramsey, check out: www.TylerRamsey.com, www.MySpace.com/TylerRamsey and www.TOMSShoes.com
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April 11-12, 2007: Smooth Kentucky
"You know that band you always see, then think to yourself, I gotta go see them again, I didn't know I liked acoustic music so much!--well, that's us." - Smooth Kentucky
The above quote pretty much sums it up. Smooth Kentucky is an acoustic band that formed almost 5 years ago, playing newgrass, blues, roots, bluegrass, Americana, funk and good time music. With songs like Sweet Amanda, Hey Joe, Blue Eyed Georgia and Station Blues, you'll find yourself saying, "I gotta see them again." (I did)
XXQs: Smooth Kentucky
PensEyeView.com (PEV): How and when did Smooth Kentucky form as a band?
Smooth Kentucky (SK): The Band formed in the spring of 2002, with a phone call from Cris Jacobs to Ed Hough trying to put together a bluegrass band for some Friday evening shows at the Baltimore Brewing Company. We asked Ryan Porter of The Bridge to play bass, and BJ Lazarus to play Mandolin. After our first successful summer, we started booking more and more gigs other than the Friday nights. The Bridge was also starting to branch out of the Baltimore area and we needed to find a few new players. We met Dave Frieman during the first summer, and Ed gave him a call and set up a night of pickin'. It was a great fit with acoustic bass. It really filled out the sound, and made it true. 2 years later we met Pat McAvinue, and hired him on to play fiddle. This five piece is the true Smooth Kentucky, so I guess it's taken a while to form this band. Who knows, maybe we still are forming it.
PEV: Why the name "Smooth Kentucky"?
SK: Cris and Ed needed a name for the advertising agents signage, and ads. We were sitting around trying to think of names, and looking at a whiskey bottle Ð it hit us." Smooth Kentucky bourbon whiskey"
PEV: What makes writing bluegrass music so unique?
SK: There are so many different forms of "bluegrass". That in and of itself to me is what makes it unique. You can get away with so much more than you can in say "pop" writing. The form of the song, the rhythm, the time.... the rules seem to just go right out the window, I like that.
PEV: When you write songs in a band, how does the collaboration process work?
SK: So far, the originals have been written by Ed. He brings them to the table, and the band adds ideas Ð musically, and vocally.... Whatever the song calls for. It's all about the song you know.
PEV: What tends to come first, a catchy lyric or a catchy tune?
SK: Usually the music comes first Ð but sometimes I just have to pull the car over and write something down right then...it varies.
PEV: How would you describe your music style?
SK: Americana, folky, acoustic - grass.... because we are not just bluegrass, we try to stay right on the fringe.
PEV: You are trying to write a song, you come to a blank, what do you do?
SK: Most of the time, I'll leave it alone for a while, and come back to it later. If it's not there, it's not there.
PEV: In your opinion, who is the best writer in music today?
SK: I really like what Keb Mo' is talking about these days, and Tim O'Brien always wins, hands down.
PEV: What's one thing you want the fans to know about Smooth Kentucky?
SK: We love playing live in front of great crowds and really appreciate them coming out to hear us - live energy exchange between the band and crowd is key for us playing well.
PEV: What the best part about playing live?
SK: So many things go on in your head when you are live, the reaction of the crowd, feeding off of your band mates, trying to see the hottie in the front row past the lights...it's "the feeling" that only live performers know.
PEV: What or where is your favorite place to play?
SK: Festivals are by far my first choice. Great sound, and great people. I also really like to play at the State Theatre in VA.
PEV: Who are some of your influences?
SK: Tony Rice, Hot Rize, The Grateful Dead, Vassar, Flatt and Scurggs, Ricky Skaggs, Alison Krauss, the list goes on and on...
PEV: Smooth Kentucky is a Baltimore based band, what is your take on the Baltimore music scene?
SK: I think the music scene in b-more is slowly getting back to being on the map. The Bridge, I feel will be the next band you hear of from Baltimore on a national level.
PEV: If you had the chance to collaborate with anyone, living or deceased, who would it be? Why?
SK: I would love to sing a song with Tom Waits, and Lyle Lovitt
PEV: Saturday Night Live calls and asks you to do their show...who do you want hosting?
SK: Will Ferrell Ð no one else will do.
PEV: What's one misconception people have about bluegrass music?
SK: They think it's all really lonesome, toothless music...they need to know we have a dental plan.
PEV: How did it feel the first time you stepped into a studio to record your own music?
SK: Very nervous, and excited....and wow you could really hear yourself, and how bad you really were.
PEV: You offer your songs on your website, but what's your opinion on downloading music for free?
SK: Live shows I believe should be passed around, downloaded, recorded free...but as far as recorded music, that someone put the time, energy, and money into...needs to be purchased to save the recording industry, and support the artist.
PEV: Obviously getting your music out there is not easy, what's the worst part about "spreading the word"?
SK: The footwork we can only do so much on a local level Ð
PEV: So, what's next for Smooth Kentucky?
SK: The band is in the studio right now putting together some great new stuff. We are traveling to the west coast this summer, and playing many local festivals, and clubs. We are thinking of starting to look for a female vocalist. We think it might bring out a new side to the Smooth Kentucky sound.
To find out more on Smooth Kentucky, check out www.SmoothKentucky.com
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April 13-14, 2007: Blake Mycoskie and TOMS Shoes
Blake Mycoskie decided he needed a break. Putting his life on hold, he took an extended vacation traveling to South America, Brazil, Uraguay and finally Argentina. That final stop would change Mycoskie's life and the fashion world, forever.
In January of 2006, Mycoskie quickly absorbed himself in the Argentine culture; he learned to sail, tango, even play competitive polo. It was at this time he became inspired. Not by dancing or sports but by the need to help the impoverished people in Argentina. Mycoskie visited villages without fresh water and where few, if any, of the children had shoes. His answer; TOMS Shoes, the shoes for tomorrow. Mycoskie made a commitment, matching every pair of TOMS purchased with a pair to a child in need. It's simple...you buy a pair of TOMS and TOMS gives a pair to a child on your behalf.
Since releasing the TOMS line, he has graced magazines such as Vogue, Oprah, TIME, Elle, OK and many more. On any given day you can spot celebrities all around Hollywood showcasing his designs. All this because he decided to do what know one in fashion has ever done and create a following so large, so fast, he is now one of the elite designers. Mycoskie is a visionary, humanitarian and example for the rest of the fashion world. Read his XXQs to hear more about Blake Mycoskie and the TOMS cause.
XXQs: TOMS - Blake Mycoskie
PensEyeView.com (PEV): How and when did TOMS begin?
Black Mycoskie (BM): I was down in Argentina when I stumbled across this shoe called the apragato. It was very similar to today's TOMS. Except it had a rope sole. I was down in Argentina and this shoe was becoming very trendy I bought a pair and started to wear them myself. On my last week in Argentina I wanted to do some volunteer work. So I went to these villages only to find these young kids with horribly beat up feet. I asked the translator why they looked healthy except for there feet and she explained that they had to walk 2 miles each day to get fresh water for there families. And then it hit me I was going to take this traditional argentine shoe and for every pair I sold I would give a pair to a child.
PEV: Describe the feeling of now seeing your idea come to life.
BM: It is amazing. This isn't the first company I've started but it is by far my favorite. I was once told by a great entrepreneur "the more you give the more you live" I finally understand what he meant when he told me this
PEV: Have you always been interested in the fashion industry?
BM: No. I Was in technology I hadn't the slightest idea about fashion.
PEV: Do you remember the first pair of shoes you sold?
BM: Yea I gave them to a friend and told them I was turning down a highly lucrative position in technology to give kids shoes. They thought I was nuts.
PEV: The TOMS commitment is remarkable and touching. I don't know of any other shoe company, let alone a clothing company that gives away a free pair of shoes for every one that is purchased. Why aren't other fashion lines doing the same thing?
BM: There are other lines that donate profit to certain organizations but its only a percentage. I think this 1 for 1 model is incredible though. I am sure it's only a matter of time till others start doing the same
PEV: How many pairs of TOMS have you given to needy children so far?
BM: We gave away 10,000 pairs in Argentina last fall and we are shooting to give away 100 this fall in Africa.
PEV: Describe your creative process.
BM: I really love it. Everything just sort of comes to me. I have always been creative but never had a chance to express it and now I do. Creating and designing the shoe is one of my favorite aspects of the business.
PEV: What has been the hardest thing you've encountered in the fashion world?
BM: The fashion world has been incredibly accepting to me because of the cause. I really don't think this is the norm in the fashion industry. The hardest thing is just learning all the ins and out of the industry. Seasons time frames shipping all the logistics are new to me but I am learning and I love it.
PEV: Tell us about the "Special Edition" line of TOMS. Can we expect more?
BM: Tyler Ramsey, an artist from Hollywood hand-painted them and there are definitely more special editions coming in the future.
PEV: What was it like to go back to Argentina (where the TOMS concept began) and see your progress?
BM: It was incredible. I can't tell you wonderful it was to give these kids who had never received a gift before a brand pair new shoes it was Life changing.
PEV: You have quite a celebrity following. How does that make you feel to know that celebrities are wearing your shoes?
BM: It makes me realize that these shoe are empowering and people feel that there making a difference when the wear them. I think it's just wonderful to have the support of such high profile people. It also shows that I'm not the only one who thinks this is a great cause.
PEV: Are you involved in organizations who share the similar "global issues" interests as TOMS?
BM: We are working quite a bit with invisible children. They are an awesome organization helping with the problem in Uganda we are going to participate in their displace me event on April 28. I am really looking forward to it.
PEV: What is the best advice you can give someone to, as you say, "make life more comfortable"?
BM: Get a pair of TOMS, haha... And remember buy helping others become more comfortable you'll be more comfortable you self.
PEV: How many people work directly for TOMS?
BM: We have about 11 full time employees and 5 interns
PEV: Do you plan to offer new types of clothing?
BM: Not at the moment
PEV: What advice can you give an aspiring fashion designer?
BM: Work hard and believe in yourself. It's up to you how bad you really want it.
PEV: You have traveled quite a bit. What has been your favorite city to visit?
BM: There is nothing better than traveling to villages in the outskirts to lend a helping hand.
PEV: When you are not working, what do you enjoy doing?
BM: Well that never happens. But I just sold my loft and bought I boat to live on. So right now I am learning to sail. I love learning new things but TOMS has taken over my life for now and I am enjoying it.
PEV: You can wear TOMS for business and pleasure. Not many people can say that about their product. What is your secret?
B M: There is no secret it's simple "your purchase guarantees a child shoes for Tomorrow" That really makes these shoes empowering and with something like that why not wear them everywhere you go. It's one of the few forms of fashion that you can really feel good about wearing
PEV: So, what is next for Blake Mycoskie and TOMS?
BM: I plan to keep building the TOMS brand so I can give away more shoes.
To find out more about Blake Mycoskie and TOMS Shoes, go to: www.TOMSShoes.com
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April 15-16, 2007: Marcel SalathŽ (Sala) - OneThousandPaintings.com
Marcel SalathŽ, the creator of OneThousandPaintings.comMarcel SalathŽ (Sala) loves puzzles and to be amazed. Which is odd since everyone is puzzled and amazed by him. His work and website, OneThousandPaintings.com has taken the art world by surprise. Some people love it, others "don't get it" but everyone cannot stop talking about Sala.
His art begs the question, why are people fascinated by numbers? Why do athletes insist on wearing a certain number over others? Why do people tend to play the same numbers (over and over) in the lottery? Who knows? For reasons like those, Sala has become the "go-to-guy" for people that are fascinated with numbers. Sala's work is a combination of art, science, math and well, curiosity. His paintings are beautiful as they are mesmerizing. You can stare at them all day and feel good in knowing that number is yours forever. Or that you should have bought it while you had the chance.
The man behind OneThousandPaintings.com is just as unique as the project itself. Read his XXQs to find out more...
XXQs: Marcel SalathŽ (Sala)
PensEyeView.com (PEV): When did you decide you were going to become an artist?
Sala (S): That's a hard question to answer. One part of the problem is that I find it very difficult to define what an artist is, because then you also have to define what art is - a problem yet unsolved in my opinion.
But to give a more pragmatic answer: I was attracted by art already as a child, when I first fell in love with music. I am not a good musician myself, but I soon realized that I had most fun in writing music, rather than playing it. Over the years, I realized that this was a central theme in my art: I felt more comfortable in creating new things, rather than becoming very good in doing one thing.
I believe that there are two very broad categories of artists: Those who are very good at creating new things, and those who are very good at performing. I leave it to others to judge me, but I would rather place myself in the first category.
PEV: Has painting always been a passion for you?
S: No - for a long time I have seen painting as something where you have to be good at, and I am a bad painter when it comes to painting objects, for example. Only when I started to think about painting in a conceptual way did I get passionate about it.
PEV: How and when did OneThousandPaintings.com begin?
S: Looking back, I think it began the day I heard of Van Gogh. The reason why I heard of Van Gogh, as a child, is because people were willing to pay millions for his paintings, but not for identical copies of it. OneThousandPaintings.com is an artistic project about art, and the art market in particular. More precisely, OneThousandPaintings.com became a concrete thought at the end of 2005, and I the website finally went online on February 9, 2006.
PEV: Tell us how the OneThousandPaintings.com process works.
S: OneThousandPaintings.com is a project with one thousand paintings, where each painting shows a number from 1 to 1000. All paintings are equals except their unique number. The paintings are exclusively sold at OneThousandPaintings.com, and the price of each painting depends on both the number (higher numbers have lower prices) and the number of paintings sold (more paintings sold means prices go up).
PEV: What was the first number you sold?
S: 524
PEV: Your site is proof that everyone has a favorite number, do you?
S: I think to call it a proof, you would have to repeat the project multiple times and compare it to a control group... Also, most people have their favorite number somewhere between 1 and 100, so the majority of buyers had to chose another number (or they wanted to chose a higher number because of the lower prices).
PEV: What do you think is the fascination with people and their favorite numbers?
S: I think more generally the question is, why are people fascinated by numbers? It's an interesting question, and I don't really have an answer. My guess is that numbers are so fascinating because on the one hand, they are fundamentally abstract, but on the other hand, a life without numbers is inconceivable. Also, the great thing about numbers is that they can have totally different meanings - go to any number on OneThousandPaintings.com and look at the long Wikipedia entries for any given number - it's quite long. And that doesn't include the personal meanings yet.
PEV: OneThousandPaintings.com has become a global phenomenon. How many different countries have you sold paintings to?
S: 26: US, Canada, UK, Ireland, Australia, New Zealand, China, Singapore, Mexico, Brasil, South Africa, Germany, France, Sweden, Norway, Belgium, Denmark, Luxembourg, Netherlands, Kyrgyzstan, Czech Republic, Switzerland, Austria, Italy, Portugal, and Israel.
PEV: Once a number is sold, no one can buy that number again. Has anyone ever begged or tried to purchase a number that was already sold?
S: No, but people are willing to pay a lot for numbers that are already sold, especially for one digit numbers.
PEV: How many numbers have sold so far and do you find people prefer a certain series of numbers to another?
S: Right now, I have sold 751 of 1000 paintings. I don't think there is a certain pattern - everyone has a unique story with their number (s). Numbers that symbolize dates (e.g. 624 for the 24th of June) were maybe a little bit more asked for.
PEV: When you are not working, what do you enjoy doing?
S: I love to be amazed & puzzled. That's why I love art and science. I think I'm a bit of a workaholic. You need either good entertainment, good wine or good food to keep me away from working.
PEV: Have you ever thought about doing another series, like 1001-2000?
S: I have thought about it and decided not to do it. I don't want to dilute the project by doing more numbers. It's like making sequels to a movie, which is hardly ever a good idea.
PEV: Are you working on any other projects besides the OneThousandPaintings.com?
S: Yes, but I can't really tell much about it. It has to do with art and evolution, but it will take some time before it's ready to fly. But I think it's going to be quite interesting.
PEV: All the paintings are blue text on white canvas. Why did you pick blue and that particular font?
S: Gut feeling. I like the combination of blue and white, and I like that font. There was no specific reason.
PEV: If you could sit down to dinner with any artist, living or deceased, who would it be? Why?
S: Allow me two answers, one for living and one for deceased. For a deceased artist, I would choose Hermann Hesse, the German writer. I feel the last few pages of his book Siddhartha contain the most beautiful text that has ever been written in the history of mankind, and sitting next to the man who wrote it would simply be outstanding. For a living artist, I would choose the Australian artist Anthony White. He has opened up an entirely new way of thinking about art, markets and money - he's a pioneer. I will actually meet him in a couple of months, something I am looking extremely forward to.
PEV: Is there one particular work of art (outside or your work) that stands out as your favorite piece? Why?
S: There are too many to list. As I said, I love to be puzzled and amazed. A lot of works of art have done that.
PEV: You live in Switzerland. How has your home country reacted to the OneThousandPaintings.com fame?
S: Yes, I think so. The largest TV station has run a feature on the project last November during prime time, and it had a strong impact on both sales and how well known the project is in Switzerland.
PEV: Did you ever think that OneThousandPaintings.com would be this successful so quick? That must make you feel pretty good?
S: No, I didn't expect it at all. I don't feel any different than before, but it is always satisfying when your ideas are "understood" by many people.
PEV: In all your travels, which city has the best environment for the art community?
S: Since so many things can be done on the web, it's becoming less and less important where you are. For example, I live in Zurich, and there is excellent art in Zurich, but I could have started this project anywhere.
PEV: So, what is next for Sala?
S: I will travel quite a lot this year. Next year, I will move to California. In the meantime, I will try to kick off my new project.
For more information on Marcel SalathŽ, find out more about the One Thousand Paintings project and see what he has planned next, go to www.OneThousandPaintings.com
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April 17-18 2007: Mitch Malloy
The next big thing in country music, Mitch MalloyMitch Malloy is no stranger to the country music scene. He's toured the US, did the Europe thing, shared the stage with Vince Gill and Amy Grant, has songs on Sirius Satellite Radio ("Breathless", "Roll" and "My Heart Stays Here" - CH. 60 New Country), turned down an offer from Van Halen to front their band and has a growing following any artist would be envious of. Mitch has the natural talent rarely seen in the music industry and isn't afraid to do it acoustically as he does in Breathless; a love song for his wife, that sounds like it should be in a John Cusack movie, blaring from a radio while standing on top of a car. He sings with passion, faith and the determination it takes to remain as a mainstay on the country music scene for a very long time.
Last night at the CMT Music Awards, his name was not called, however if the country music labels have any sense they'll wrap him up now before his name is etched in stone as the Best Male Vocalist 2008. Quality music is hard to find, quality musicians even harder and PensEyeView.com was lucky enough to chat with the next big thing in country music. A guy so down to Earth and real, you sometimes forget how popular Mitch Malloy is. Read his XXQs to find out more...
XXQs: MITCH MALLOY
PensEyeView.com (PEV): At what age did you realize that music was for you?
Mitch Malloy (MM): 6
PEV: What attracted you most to country music?
MM: The songs and the way it's presented. It's about the vocal and I like that. Also the playing is always so great on Country records. I really appreciate that.
PEV: Was it difficult going from your hometown of Dickinson, North Dakota, to attending The Cornish Institute of Allied Arts in Seattle and then cross-country to New York City (via VW bus by the way)?
MM: Well I was a kid so everything was new and different then. But it wasn't easy. It was a huge culture shock moving to Seattle from ND and then a year later to NJ from ND. Huge.
PEV: What does your family and friends think about all your success?
MM: LOL! Success? Is that what you call it? :>) I am one of those people who is constantly pushing himself to do better and more so I don't feel like I am that successful. My family I think is proud of me. I hope so anyway.
PEV: Since you lived on both coasts, what do you think is the biggest difference in the music scenes?
MM: Well I have lived in Nashville for a long time now and have been away from the coasts so I'm not sure how to answer that. I think the planet has gotten much smaller now with the Internet and the differences are not so varied as they once were. You see the same things now in London as you might see in ND. It's amazing.
PEV: What was it like the first time you stepped into a recording studio?
MM: A little intimidating to be honest. Now it's home.
PEV: You have traveled everywhere. What has been your favorite city to perform in?
MM: That's a tough one. It all depends on the performance and the night I think. London is great. Madrid is great. NYC has been great.
PEV: What is the best part about performing live?
MM: Seeing the fans faces. There is nothing like looking into the eyes of people who are on the same page as you musically while you're in that musical moment. It's very spiritual. It's really Gods music so it's like you're in line with God at the same time and you realize it. Very powerful.
PEV: You said that going to Nashville to write with Mike Reid, Dennis Morgan and Mac McAnally has changed your life. Tell us how?
MM: Well hopefully it's made me better. Those guys are some of the best at what they do. And I got to share that with them and it pulled me up a bit. And now I can share that with other writers. And the listeners.
PEV: Is there a certain environment you prefer to be in when you sit down to write music?
MM: Yes preferably no one is around and it's quiet. That is always best for me.
PEV: When you wrote "Breathless" (which has over 28,000 plays on Mitch's MySpace page), was there someone in particular that was meant for?
MM: Yes my wife. She wears jeans and tank tops a lot. Note: Mitch refers to the line in Breathless; "...You don't need a dress from a fancy shop, wear those jeans and that old tank top and I get Breathless"
PEV: How does it feel to be the only unsigned artist, on Sirius Satellite Radio's channel 60? But still be one of the most requested?
MM: LOL. Well it's great in one way and not so great in another. I could use some help. LOL.
PEV: If you could have your pick of any artist, living or passed, to work with, who would it be? Why?
MM: I can't pick just one. There are so many who have influenced me. So many great ones.
PEV: What is your opinion with offering music online?
MM: Just a song here and there sent out as MP3. I'm selling it on line as well though so it is all good.
PEV: What is in your CD player or on your iPod right now?
MM: Well actually a bunch of my stuff. Because I have been advised to have it on hand in case anyone wants to hear it. I never listen to it though. Honestly I don't listen to music much as I am either writing it or recording it most of the time. I've been that way for a long time now.
PEV: When you are not writing or performing, what can we find you doing?
MM: If it's winter time I'm watching college basketball. I have become a huge Vanderbilt fan living in Nashville and I'm a season ticket holder. They are in the sweet 16 this week. Pretty amazing (Note: this interview was taken during the NCAA tournament). And fun. Other then that I like watching movies and walking my dogs in the woods behind our house.
PEV: What is one thing that people would be surprised to know about Mitch Malloy?
MM: I don't know how to answer that. Lets see... I'm really healthy? I'm a very picky eater? I'm married? LOL. I don't know because I'm me and at this point nothing is a surprise. I actually hope people would be surprised that I am nice. And upon meeting me walk away liking me. That would be a nice surprise I suppose. Or that Van Halen asked me to be their lead singer...So I get a call from Eddie Van Halen, I'm in Nashville about to sign a deal. I tell him I'm about to sign a deal but I'm flattered that he's calling. He says, "we would love to fly you out and hang out for a few days and see how everyone feels about it"...He says "it's not an audition, we think we want you in the band".
My head and my ego are saying "WOW Eddie Van Halen just told me he wants me to front his band". But my heart is saying "I'm not really sure this is the right thing for me". So anyway, I flew out there (first class) and sang with them and wrote a bit with Eddie and recorded with them and on the 3rd day I get a phone call to come up to the studio and sit and wait in the control room. So, I wait for I don't know how long but it seemed like an hour (it was probably 5 minutes) and in walks Eddie. The door closes behind him. He stops and says, "Well, we just had a meeting and everyone agrees, your one of the nicest guys we have ever met, you look amazing and you sing your @$$ off. Congratulations, your in the band". Walks up to me, I stand up, he puts his hands on my shoulders and gives me a kiss on each cheek and walks out of the room. I sit back down at the mixing board and just kind of shake my head saying under my breath. "I'm in Van Halen". Then I sort of chuckle. So in the following days we make music and do a lot of talking and eventually I fly back to Nashville. When I get back to Nashville I feel like I'm really home. In the next few days I search my heart and soul and I just don't feel like it's the right move for me. So I write them a letter saying thanks for the opportunity but I will have to pass on the gig. Eddie and I stayed in touch for a while but now it's been some time since I have spoken to him. I really must say though that he treated me like his younger brother and was very nice to me, told me I was part of the family etc. And Al and Mike were also fantastic. Great guys all of them. So then the deal in Nashville fell through and here I am still an indie artist. Oh well. I'm happy and healthy and I love my music. It's all Gods plan. I follow his path. :>) Surprised? LOL!
PEV: Your faith has helped shape your music in so many ways. It seems like a healing method for you.
MM: h yeah without God I have nothing. Nothing. It's really all about God for me. That permeates everything I do.
PEV: What is the best advice you can give to a person who dreams of becoming a musician and singer?
MM: Follow your dreams as long as they are reasonable. I mean hopefully you can sing or play. :>) Otherwise it could be very, very difficult for you. I just think people need to do what they feel called to do in life. That will create a much more peaceful planet.
PEV: So, what is next for Mitch Malloy?
MM: I'm working on a new CD right now and planning a very busy summer. And you never know what might be around the next corner...
To find out more about Mitch Malloy, check out: www.MitchMalloy.com and www.MySpace.com/MitchMalloy
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April 19-20, 2007: AM
That's it, I'm hooked! From the opening minutes of Troubled Times, you immediately know why AM is being called the next Coldplay, Wilco, Beck, Bowie and James Taylor wrapped into one. Not a bad comparison. AM invites you into his world; a world filled with heartbreak, passion and enduring as memory. His songs were played in features at the 2006 Sundance Film Festival, in television shows including HBO's Big Love and The Real World, Men In Trees, What About Brian Ð 30 placements from this 10-song album, has practically every major media outlet vying for his attention.
A rare commodity of singer/songwriter/performer/poet and visionary, AM is destined to climb to the top. His range gives way to an old soul, his good looks and charm remind you of a throw back Hollywood star and his lyrics are reminiscent of one man's torrid journey through the road of life. Look at your CD collection or search your iPod, if AM is not there, make room. Better yet, buy even more space to hold every song AM puts out, since his library is and continues to be rather breathtaking. Read AM's XXQs to find out more.
XXQs: AM
PensEyeView.com (PEV): How and when did you first get into music?
AM: I got my first guitar after seeing a Guns n' Roses video when I was 12 years old. I was living in Tulsa, OK where I grew up as a kid. Shortly thereafter my family relocated right outside of New Orleans. The guitar was my solace during those times. Moving can be a lonely time for a kid so I had plenty of late nights on the guitar.
PEV: Was there a certain time or event that you realized you can actually make a living playing music?
AM: Probably after I got my first television placement. It was a show called "Life As We Know It" and it was an ABC show that had Kelly Osbourne in it. The show didn't last but I kept getting more placements. It was then I realized that making a full time living playing music was possible.
PEV: Your debut CD, Troubled Times [Defend Music] has been called, [A missing link between Coldplay and Wilco]. That must make you feel pretty good, right?
AM: Absolutely. I'm a huge Wilco fan. I think Jeff Tweedy is one of the most creative and important songwriters out there today. I still feel I have a long way to go to earn that comparison. After all Troubled Times was my first album.
PEV: You were born in Tulsa, Oklahoma, then moved to New Orleans and now live in LA. How has this transition been?
AM: I think moving when I was a kid from Tulsa down to the New Orleans area really started my wanderlust. It was tough at first, but I got through it and was ultimately thankful that it happened. Otherwise I may have never discovered the South and New Orleans in particular. It also gave me the ability to acclimate to new people and new places--got me out of the comfort zone. And that is what ultimately made me move from New Orleans. Just wanting to see and try something new. Living in Los Angeles is both amazing and difficult. A big city always has its pros and cons. I think what made LA a special place for me was all the talented people that still gravitate here. It really is that place that people come to try and make a living at doing something creative. At this point I'm traveling so much that home is sort of an illusive definition. If I had to pick a home it would be New Orleans. It's a place I know I will always come back to.
PEV: On more than one occasion, you have been called [the best singer/song writer to emerge from LA]...not a bad compliment. What is your take on the current LA music scene?
AM: The LA music scene is split up into all kinds of factions. It's just such a big city that there are so many things going on at one time. I think the "scene" I'm most associated with is the singer/songwriter scene that tends to gravitate around the Hotel Cafe in Hollywood. The Hotel is where I first got my start as a singer/songwriter and it's where I met many of the people that I work with professionally. We're pretty lucky a place like that exists. A place you can go to any night of the week and see good music and probably know a handful of people.
PEV: You have traveled all over the world. Which city do you think offers the best environment for music?
AM: Wow. That's a tough question. I'd have to say London, Austin and New Orleans. Austin has the best live music venues of any city I've ever been too. London has one of the most enthusiastic and most educated audiences for live music. New Orleans has the best vibe and energy for music of any city. When you go out to listen to music in New Orleans it's an all night affair. None of these paltry 45 minute sets. Bands play for hours.
PEV: Is there a certain atmosphere you surround yourself in when you write music?
AM: Nah, I learned to not rely on that a long time ago. When I first moved to LA I lived in this tiny apartment with white walls and vertical blinds. Coming from New Orleans you can imagine the shock! Ha ha. In New Orleans it's quite standard for an apartment to have 12-14 foot ceilings, crown molding, and be incased in a mini Victorian mansion. In LA it's all about functionality. I figured if I could write songs in a white room with vertical blinds then I can write a song anywhere.
PEV: What was it like the first time you stepped into a studio to record?
AM: Totally intimidating. I always record at least part of my records at home.
PEV: Along with having radio play, you've had 30 song placements on television [HBO's "Big Love", MTV's "Real World," ABC's "What About Brian", Indie film "The Naked Ape", ABC's "Men In Trees" and "Grey's Anatomy"]. How has the exposure from television helped your career?
MM: Having the songs in films and TV shows has enabled my music to reach people worldwide, and without the support and budgets of a big record label i.e. radio payola and expensive PR campaigns. I think it's enabled me to compete on a certain level, but with a fraction of the marketing money. I've been incredibly fortunate in that realm (30 song placements-- all 10 songs from the debut placed).
PEV: What do all your friends and family back home think about your success?
MM: They're happy for me. I think people like to see it when they're friends and family succeed.
PEV: If you could collaborate with one artist, alive or deceased, who would it be and why?
MM: Wow. These kinds of questions are always tough. Today my answer would be Italian composer Ennio Morricone. I've been listening to his work intently over the last couple of years.
PEV: Saturday Night Live calls and asks you to be the musical guest. Who is your dream host?
MM: Jack Nicholson. If I heard Jack Nicholson introduce me I would die.
PEV: What kind of advice can you give to people who are just now starting a band or picking up a guitar?
MM: Whatever you do just keep playing. When I first started playing guitar I thought it was the hardest thing I'd ever tried to do. My fingers hurt and I just couldn't make the chords. But then one day it just clicked and I could make a bar chord. It's just like that. Smallsteps. Also I encourage young players to make it fun for themselves. Learn songs you like and that keep you wanting to play. Most people I know that had the obligatory piano lesson as a kid don't play music at all anymore. Why? Because it wasn't fun. It was like a chore.
PEV: What helps fuel your drive to create music?
MM: I think for me it's about expression. The need to create and express. I think it's something we all have, but people choose different ways of getting it out. For me it just happens to be music.
PEV: How has life on the road been for you?
MM: It's been really good. Even when it's hard it's good. I've been doing less and less shows solo these days which make a huge difference because I have some company. I have amazing band members so sharing the road with them is always a good experience. Not to mention all the people you meet along the way. Musicians have the fortunate position of traveling the world and seeing different cities the way most people don't see them. We're in and out of cities often killing time in the afternoons and then staying out late at night. Most people can't do that as they have jobs and responsibilities. We do too but in a much more transient way.
PEV: If I were to walk into your house right now, what is one thing I would be surprised to find?
MM: Hmmm...probably nothing. I live pretty simply. I only buy music, films and books. I'm not a big consumer.
PEV: There are heated debates about offering free music online. What is your opinion?
MM: Unfortunately the major record business kind of brought this on themselves. They were putting out albums with like one or two good songs on them. People got tired of it and felt ripped off. When technology advanced people were more than ready to take advantage. I think iTunes and similar download sites are cool. You still buy the music, but you don't have to buy any song you don't like so you never feel ripped off. I do however think we're heading into a trend where all music will be free...and movies are next. It's gonna change a lot about the entertainment business. No more expensive albums or movies. This can be good and bad. Dark Side of the Moon could never have been created on a shoestring budget, but the White Stripes spend hardly a penny on their albums and they are great. Nor will we be able to make movies as epic as the Godfather or Sparticus, but then again we won't have to deal with those blockbuster type-big budget nonsense.
PEV: What can someone expect from a live AM show?
MM: The one thing people consistently say they come away with is that they were totally wrapped up and entranced during the show. It's intimate.
PEV: What is the best part about playing live?
MM: Probably seeing new faces getting into the music. I was once, and still am, a fan. And when I see people in the audience getting into my music the way I get into other people's music...that is just the greatest feeling in the world. You really feel like you're giving something. You're giving someone an experience.
PEV: So, what is next for AM?
MM: Tour, tour, tour. New album "Soul Variations".
For more information on AM, check out: www.amsounds.com and www.MySpace.com/AMSounds
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April 21-22, 2007: Ed Bedrosian
As a kid, Ed Bedrosian knew he wanted to make films. He attended the artistically acclaimed Emerson College and then headed out to LA, holding every title from camera operator to producer. Hard work paid off, landing him work with Hollywood icon, Michael Douglas' company Furthur Films, 20th Television, where he wrote and produced content for Fox's new network, MyNetwork TV and even running his own shop.
That was only a start. His award winning, historical documentary, The Human Hambone, a film that traces the evolutionary path of body percussion, stemming from slavery in the 1800's, has helped put Bedrosian's name on the map. The Human Hambone, which toured the American embassies throughout Africa as part of a cultural exchange through The Guggenheim Foundation has been screened in over a dozen countries and featured on PBS affiliates as well as Link TV. Not too bad for a guy that says if he wasn't for films, he'd still be searching universities and student loans to find out what he wants to do.
Thankfully for us, Bedrosian has found his calling. "It's still early", he'll tell you but we don't care. Our culture works in the present, and presently, Ed Bedrosian is looking to remain a lock in the film industry. His new documentary, Pirating, hits the festival circuits this summer. Call it a hunch, but something tells me he'll need some more room on the trophy shelf.
XXQs: Ed Bedrosian
PensEyeView.com (PEV): How and when did you first get into films?
Ed Bedrosian (EB): I've been a big fan of movies since I was kid. My parents had great taste in movies and I got exposed to some interesting stuff at a pretty young age. We also had a TV channel in my high school, and to be involved you had to produce a segment a week for the public access channel. The topics were usually limited to school policies, such as school lunches and basic local news, but we were allowed to produce one "creative" segment a month. I tried to take advantage of the resources that I had at my high school.
PEV: Did your time attending Emerson College, which is known for its huge creative environment, help shape your drive for working in film?
EB: Emerson was definitely a great place for me. It was small enough so it wasn't overwhelming, and you had access to a lot of creative and technical resources. If you were disciplined, you could really take advantage of the possibilities. I've kept in touch with a lot of alumni, and I've made some great contacts in all areas of production, from publicists, to cinematographers, to talent. However, I've found that Emerson doesn't carry the same weight of the bigger schools such as USC and NYU. You need to hustle a little bit harder in LA as an Emerson alumnus.
PEV: After graduation you moved to Los Angeles. How is the film industry different on the west coast as it is on the east coast?
EB: I went to school in Boston, and the "film industry" was fairly non-existent. I've heard that it's gotten a little better, however. There were a few "coveted" feature PA positions available here and there, but for the most part it was commercial production. I remember Good Will Hunting shot a good share of the movie in Boston. After the success of the film, you would read all these articles about the "booming" film economy of Boston. I didn't really find that to be true. Through college, I worked at a rather large commercial house. It was great, but they tended to shoot most of the big jobs in LA. So I guess I would say the major difference is that as competitive as Los Angeles is, there's a lot more opportunity here.
PEV: What made you decide to focus on documentaries?
EB: I've always loved documentaries and a friend of mine was starting production on a new film. He asked me to get involved for a couple of weeks. 2 years later, I was still working on it, and I loved the process.
PEV: You started out working for Michael Douglas's production company, Furthur Films. What was it like to work for someone as well respected in the film industry?
EB: It was a pretty cool experience working for Michael Douglas's company. I only met him a couple of times, but I spoke with him on the phone everyday. He's an interesting guy and he produced one of my favorite movies of all time, One Flew Over the Cuckoos Nest. A lot of people just associate him with the oversexed, smarmy, businessman that he plays in his films, but he's actually been extremely politically active for the past few decades and he uses his celebrity to do some very positive things. Overall it was a great experience.
PEV: Los Angeles is one of the entertainment capitals of the world. What is it like trying to break into the industry in such a competitive time?
EB: It's been tough and I'm still trying break in. I'm still fairly young, but I'm not getting any younger. Sometimes I go through periods where I don't make any money for months, and that can be scary.
PEV: Tell us about your award winning, historical documentary, The Human Hambone?
EB: The Human Hambone is a film that traces the evolutionary path of body percussion. The human body was the first instrument and it continues to be the most organic. It was a fun film to make because we met some very talented musicians.
PEV: How important is it for Americans to be educated on the historical roots of body music, which dates back to 18th-century American history?
EB: Well people have made music on their body since the beginning of time. What's interesting about Hambone is that it stemmed from slavery in the 1800's. There were slaves from several different African cultures that were stolen from their land and brought here and forced to live together. The rhythm of Hambone is an amalgamation of the rhythm of several different regions in Africa.
PEV: Describe the feeling of having The Human Hambone shown in American embassies throughout Africa (as part of a cultural exchange through The Guggenheim Foundation), featured on PBS affiliates as well as Link TV and screened in over a dozen countries.
EB: It was a great feeling. It was nice to get recognition for all the hard work we put into the film, because it certainly wasn't financially rewarding.
PEV: How has the transition from making movies on your own to working for someone else at Chemical Entertainment been?
EB: It's certainly a safer bet to work for someone else, but it can be frustrating going from being the boss to taking "orders" from someone else. However the luxury of making to contributing to films with someone else's money is invaluable. It's stressful funding your own movies. I worry about my investment from our last documentary on a daily basis.
PEV: How is working in television different then working with films?
EB: The process is different for several reasons. People spend years on films when production companies can crank out 12-24 episodes of an hour-long drama over the course of a year. There's also a lot more money and stability in television. I prefer film, but that's not say that one is better than the other. There are some amazing television shows out there.
PEV: When you aren't working what can we find you doing?
EB: You used to find me traveling and snowboarding in my free time, but I don't find myself with any free time anymore. It's sad but true. My social life and my work life have started to blend together.
PEV: What is one thing that people would be surprised to hear about Ed Bedrosian?
EB: I have a mild case of Tourettes syndrome.
PEV: If you weren't working in films, what else you do you think you'd be doing?
EB: If I wasn't working in the film industry, I'd probably be collecting college degrees and stacking up student loans, still trying to figure out what do to with myself. Even now, I'm still trying to figure out what to do with myself in the film industry.
PEV: What kind of atmosphere do you prefer to do your best writing?
EB: Anywhere that has a window, a desk, and headphones. I can't write without listening to music. I also can't concentrate with my back to a door. It drives me nuts. I must be paranoid about something.
PEV: With all your travels, which city do you find to the best place for art and film appreciation?
EB: I really liked Prague. They have a very interesting film industry there.
PEV: What kind of advice could you give to someone who wants to break into the film industry?
EB: Keep making short films in your free time and get as many people to see them as you can. The Internet has been a great platform to showcase work. Agencies have full time staff scouring YouTube, looking for new talent. Also, your first job is very important. It helps to focus on the big picture so you can position yourself in the right place. I didn't necessarily do that and, it definitely held me back.
PEV: Who do you have in your CD player or on your iPod right now?
EB: I usually do the play list thing with my iPod, but my friend's band just finished their LP, and I can't seem to listen to anything else. They're called Maryandi, and they will be a household name really soon.
PEV: Is there one actor/actress/director that you would love to work with?
EB: I really like the films Michel Gondry has been putting out lately, and I've always liked the Coen Brothers. Werner Herzog would great to work with too, because he seems extremely obsessed with the process, which would, at the very least, provide for some good stories.
PEV: So, what is next for Ed Bedrosian?
EB: I'm working for a new company, and we should be in production on a feature this summer. We're also hitting the festivals with our new documentary, Pirating, this summer. Right now, that's as far ahead as I know.
To find more information on Ed, check out these sites: Be Ed's friend on his MySpace page, Ed's latest work at www.piratingmovie.com or www.myspace.com/piratingmovie and visit Open Road Movies
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April 23-24, 2007: Karma Dogs
When PensEyeView first heard about Karma Dogs, the conversation went a little like this. "This organization is amazing! They use dogs to teach kids how to read."...Okay, I thought, I'll bite (no pun intended), "So let me guess, cats teach math and birds teach science?" But in all honesty I was hooked from the start. Never mind the concept of using dogs to teach children how to learn and be comfortable reading to others, but the fact that an organization was using rescued dogs to do it. Karma Dogs unites two favorite concepts for children; dogs and children's books. PensEyeView has a soft spot for dogs, all of us have dogs and all of us spoil them like crazy (present company a little more than others). I have a dog and he means the world to me. I also love reading, more so I love children's books. It's no secret the earlier you get children involved in reading the more successful in school and in life they will be. Karma Dogs is making sure that belief continues.
I am beyond impressed with what Karma Dogs is doing and plans to do. Its success so far is not only admirable it is inspiring. Karma Dogs is reshaping the face of literacy in America (hopefully beyond) one dog at a time. Every parent wants the best for their children, especially when it comes to education. If there was a magic wand to make a child love to learn, I think every parent would use it. Well, unfortunately there isn't...but there is a four-legged animal, with a wet nose, wagging tail and great taste in books, here to help. Read their XXQs, to find out how Karma Dogs does it.
XXQs: Karma Dogs
PensEyeView.com (PEV): Tell us what exactly Karma Dogs is and when did Karma Dogs begin?
Karma Dogs (KD): Karma Dogs is a 501 C(3) non-profit organization. We take dogs that have been rescued and rehabilitate them into therapy dogs. Our programs are free and we are supported through donations made by generous people in our community. Our volunteers donate a lot of their spare time to participate in our programs and are the reason our programs are successful. We have two main areas of focus: our HEARTS literacy program, and our work with the developmentally disabled. Karma Dogs started in the fall of '06 after my husband and I adopted a blind puppy from Pet Rescue of Maryland. The puppy, Ernie, was only about 6 weeks old and was finding his way around the house. Our other two dogs, Dirk and Elliott, are also rescues from Pet Rescue of Maryland. It was obvious that they understood that Ernie was different, and that he needed a little help. Dirk kept an especially watchful eye over Ernie. At one point, Ernie almost fell off of the bed. As he got close to the edge, Dirk took Ernie's head in his mouth, gently pushed him back to safety, and then barked for me to pay attention. Dirk would also make sure that Ernie could walk up the stairs, as Ernie sometimes got scared halfway up. Dirk would comfort him so that Ernie would keep going instead of crying for someone to pick him up. I saw this maternal side emerge from Dirk and Elliott, and I saw it out of the house too. When we would meet other dogs to play, Dirk and Elliott watched Ernie intently. If the play got too rough, they would make the other dog stop, with a stern bark and a body block, and then see that Ernie was okay. They seemed really happy in a way they weren't before we got Ernie. We started to think they might be great with others who needed help, and started looking for a way to get them both involved in canine therapy. My childhood friend, Bridget Trafton, also looking for a way to get her rescued shepard mix involved in working with autistic children. We wanted to focus more on the rehabilitative/motivational aspects of animal therapy, and Karma Dogs was born out of those initial conversations. The reading program in another form was started years ago in Utah and has caught on in many states, operating as independent organizations under different names. HEARTS, or Help Encourage All Readers To Succeed, is our version.
PEV: What is it about a dog that makes them such good companions for children?
KD: I think dogs are great companions for almost anyone. They can be great with kids because they are always attentive listeners, comforters and playmates. Dogs never judge you and love you even when you are in a bad mood. They love you unconditionally, and who doesn't want that? But not all kids are great with dogs, and young children and puppies can be a tricky mix. It is important that getting a dog for a child happens at the right age and when the family is ready to expand. Often, getting a dog is like getting another child and a lot of people are not ready for that. Even I am surprised at how much work a puppy can be, and I work with them all of the time with Pet Rescue of Maryland.
PEV: What does it take to become a Karma Dog?
KD: Karma Dogs are special dogs with excellent temperaments. They are unflappable, and don't mind loud noises, sudden moves, and excessive or rough handling. People love to hug dogs, but not all dogs always like to be hugged. You have to make sure that your dog is a true "people dog" and that they are obedient. Our dogs have all passed temperament and obedience tests with our professional trainer. These tests, a combination of the Canine Good Citizen Test and the Therapy Dogs International temperament test, are really important as people can be leery of working with dogs in places like libraries and hospitals. In fact, two of the dogs that inspired Karma Dogs could not pass the tests we created for them. This was really upsetting, but you can't force a dog to be something for which he or she isn't suited. It is more important for everyone to have a rewarding experience than to take a chance on a dog who is not right for this kind of work.
PEV: Is there a certain breed of dog that works best with the children?
KD: Not at all. It is more important that the dog be a "people dog". Different kids love different dogs of all sizes and appearances. In our HEARTS program, each child tends to pick one dog and stick with them, returning to the same dogs for more reading. Some kids love Vito the pug's silly face. Others love Tasha's laid-back personality. Dirk is a snugly, smart, goofball, and that appeals to other kids. I would love to have some larger dogs, especially breeds with misunderstood reputations, in the Karma family. I have learned a lot from doing rescue work, like the fact that no dog starts out screwed up or violent. People make them that way. Pit bulls don't really have locking jaws and Rottweilers are not guard dogs who snarl all day. These dogs often have bad reputations, but they are some of the most affectionate dogs around. They are really strong dogs and that can get them into trouble if they are not well trained and treated kindly. I am always so happy to see a good example of a pit bull or rottie in the spotlight. You only hear the negative things about these breeds and they are such wonderful dogs. Aside from therapy work, we are passionate about teaching people about dogs- especially how to properly care for them. Nine out of ten times if the dog is behaving poorly, it is because of the owner, not the dog.
PEV: Anyone who has a dog knows that every dog has a unique personality. Do you find that certain kids tend to be attracted to certain kinds of dogs?
KD: I think the kids are attracted to dogs that like them. If a dog shows interest in a child, the child will usually show interest in them. Some kids do like a smaller or larger dog. It depends on what they are used to at home or at friends' houses. Some kids are afraid of the larger dogs, but only until they get to know them. A gentle lick on the nose goes a long way to alleviate any fears.
PEV: What was it like the first time Karma Dogs showed up at the library to work with children?
KD: We were so excited to start working. We had been training the dogs for about six months, and for the last month specifically on how to "read". The dogs had to learn to sit still, while paying some kind of attention in the direction of the book. Some dogs can point to a page with their nose or paw, which helps sell the idea. The library was really excited to have us there and wants the program to succeed as much as we do. We were worried the dogs would not pay attention or that the kids would not really feel any different reading to dogs. I think the dogs like it as much as the kids, and most of the time the dogs are the stars. We humans just hold the leash and stamp the bookmark. The kids love it and even call the library if they are running late so the dogs don't think they forgot about their reading session.
PEV: Does it take a while for the children to warm up to the dogs? Or is it pretty natural?
KD: So far, every child has bonded to a dog quickly. Most kids pick one dog and stay with that dog, as if they were partners. So far, there have been no complaints about wanting a different dog. The kids actually select the dog they like best when they sign up. They really look forward to seeing them each week.
PEV: What has been the best part about Karma Dogs, so far?
KD: For me, the best part was discovering that one child who will not read at home or at school LOVES to read to Dirk . I had no idea he disliked reading so much and only learned this when I told their mother how well they were doing and what an improvement there had been since we started. I had no idea that the child actually hated reading. He seems to really like it now and picks out books that he thinks the dog will like. I secretly suspect he reads them first at home so he can impress the dog on Saturdays. That is what the program is all about and it is great to see it start working so quickly.
PEV: Karma Dogs is a great avenue for educating children, not only on literacy but also on animal appreciation. How important is it for children to be comfortable with animals...especially dogs?
KD: I think it is incredibly important for children to have a respect for all animals. It kills me to hear stories of dogs being locked in a basement all of the time, being ignored or even worse. I think if everyone started thinking of an animal as something with feelings, it would make a big difference. I am not saying that a dog gets upset if you call them fat, but they do know when they have done something wrong and they certainly feel pain. I don't think that many people realize how closely intertwined a dog is with its owner. When they are mistreated or ignored, it is like destroying something that only wants to love you, which is heartbreaking. I think people would be shocked if they knew how often dogs and cats are abused. Working in rescue is really difficult. It opens your eyes to some things that is much easier to ignore. I think one of the most important things Karma Dogs can do is teach kids about animals and how they relate to them. Hopefully a positive experience like what kids are getting from Karma Dogs will help them be better, more respectful pet owners in the future.
PEV: Obviously every dog is different but at what age do think is a good time to start children interacting with dogs?
KD: I think some exposure to dogs or cats at a very early age is great. The one thing families need to be careful about is how the kids and dogs relate to each other. Dogs can rough-house and jump and accidentally hurt a small child- usually by knocking them down. This can be really scary for the child and most likely ends with the dog being in trouble. Kids can also poke dogs or pull tails or do things that dogs don't like or understand. Again, the dog gets in trouble, which is good for no one. Some families understand how to build this relationship between pets and kids at a very young age and some should reconsider and wait until their children are older. It is important to consider what is actually realistic for their family before making the leap into getting a family pet that can live up to 20 years. I think all exposure to animals at a young age should be as positive as possible. Not being able to enjoy everything that comes along with owning a pet makes me sad.
PEV: All the Karma Dogs are rescued dogs that have been given a better life. There seems to be a connection with that and kids getting a better life through education.
KD: All of our dogs have been rescued and are paying it forward. I hate that expression, probably because of the bad movie, but it does explain the concept behind Karma Dogs. Our dogs came from less than perfect environments, persevered, and came out the other side as fortunate, healthy animals who are ready to help others. For example, Dirk was left behind in New Orleans during Hurricane Katrina. The day we adopted him, the rescue told us they were so glad it was us because he was "such a special case" and needed "way more work than most would be willing to put into a dog". We only saw that side of him for a few days, and he soon blossomed into the awesome dog we now have. Tasha came from a medical testing facility. She has no reason to like people. But she loves them. With the generosity and kindness of the family that adopted her, she has overcome her circumstances to go on to help others. We hope that everyone who works with a Karma Dog benefits and can use that at some point to help someone else. Maybe HEARTS will help them improve at school, and they'll have more opportunities open up for them. Or perhaps they'll learn that if a blind dog can learn to outrun other dogs and get a stick, a person with a disability can earn to overcome some of the obstacles that might be holding them back.
PEV: What are some of the favorite books the kids enjoy reading with the dogs?
KD: The kids seem to love reading books about animals. I am sure it helps that on our website, www.karmadogs.org, it mentions the type of books each dog likes. Dirk and I have listened to the book, "Hard Working Puppies" and some Scooby-Doo stuff over and over. One little girl sought out books about princesses after reading Tasha's bio on the net. It was really sweet. Just when I think things are dorky or over the top, some kid will really identify with it. They just aren't jaded like the rest of us.
PEV: In your opinion, who is the best children's book author today?
KD: Having not read a bunch of contemporary kids' books before this, I will say I personally enjoy the Walter The Farting Dog series by William Kotzwinkle and Glenn Murray. I also really like the "Olivia" books by Ian Falconer. However, I would personally really like to know what Ramona the Pest (Beverly Cleary) is up to these days. I loved those books as a kid. I did read a newer book by my favorite childhood author, Judy Blume, a few years ago to see what Super Fudge was doing. I would also like to get re-acquainted with Encyclopedia Brown. I hope some kids will discover these books and read them to the dogs. I always had my nose buried in a book and loved these when I was younger. I hope they still hold up today.
PEV: Have any of the dogs ever wandered off or got distracted before the session was over?
KD: One dog allegedly snores sometimes, but I have never personally witnessed this. Dirk is almost always really interested in what is going on. Sometimes he likes to touch noses with a kid when they are trying to read. He seems to do this when everyone needs a short break and it makes the kids laugh, because it is hard to read with a wet nose in your face. Vito is a prince and laps up the attention.
PEV: What is your opinion about many schools cutting budgets for art and creative programs?
KD: I think having a creative outlet in school is one of the most important things a kid can have. I know I built whole worlds in my imagination as a child, and was encouraged to do this through creative writing assignments. Other friends of mine flourished in art class or in band. I can't imagine going to school and just learning from textbooks. For me, the creative stuff was always the best part of school. I think being creative and being allowed to express that is one of the things that has allowed me to move forward with ideas that seem silly or far-flung. Without the exposure to creative opportunities, I feel a lot of those ideas could be lost.
PEV: Has there ever been situations where kids will argue over getting a certain dog versus another?
KD: We have not had that problem, but we have had a child that was really upset at the thought of not getting to pick out a book from one dog's particular book collection to keep as a reward for completing 4 weeks of attendance. The books have been donated by Baltimore Reads, but the kids really believe they are the dog's personal possessions. Once again, just when I think the kids won't believe it and think we are adults lying to them, they love it and totally buy into it.
PEV: All of the PensEyeView.com team members have dogs and love to spoil them. What is the best way to spoil your dog?
KD: The best way to spoil your dog is to give them what they love most; Attention from you, lots of walks or romps in smelly things and some good chew toys. Dogs don't care about fancy clothes (most of them, anyway) or rhinestone collars. They want a warm bed, love from you and good exercise. And a Kong toy filled with peanut butter or something else yummy every now or then.
PEV: In order to keep your dog healthy and happy, how much exercise should a dog have a day?
KD: I am so glad you asked this question! Most problems people have with their dogs can be corrected with exercise. You know how you can get squirrelly if you can't d